Beatles cover music QUESTION

In my tradition of playing the music that I own, I have divvied up my Beatles music thusly:
In October, in honor of John’s birthday, I play the canon. In this case, the British CDs (including Magical Mystery Tour, which became adopted as such), plus the two Past Masters CDs of singles, B-sides, EPs cuts and oddities.
In February, in honor of George’s birthday, I play the American albums. George, visiting his sister Louise, was the first of the Beatles to visit the U.S.
In June, in honor of Paul’s birthday, I play the more recent items: Live at the BBC, the Anthology series, and Love, e.g.
In July, in honor of Ringo’s birthday I play Beatles covers. After all, Ringo’s All-Starr bands are known to cover the hits of the contributing musicians.

And I have LOTS of whole albums dedicated to Beatles covers. Some are of whole albums: Big Daddy doing Sgt. Pepper, a MOJO collection replicating Revolver, George Benson taking on Abbey Road. There are whole soundtracks: All This and World War II, I Am Sam, Across the Universe.

So what are your favorite Beatles covers? I am fond of these:

Come Together by Tina Turner; Aerosmith’s take is fine, but too close to the original
Eleanor Rigby by Aretha Franklin (she puts it in the first person); though the pure excess of both the Vanilla Fudge and Rare Earth versions always made me chuckle.
Got To Get You Into My Life by Earth, Wind and Fire; one of the only good things to come out of the Sgt. Pepper’s movie debacle.
In My Life by Judy Collins; though there are other fine versions, notably Johnny Cash’s.
We Can Work It Out by Stevie Wonder; I once bought an LP just for that song.
You Can’t Do that by Harry Nillson, which segues in other Beatle tunes in a most delightful way.

Special kudos to Joe Cocker, who made several Beatles’ tunes his own. but the one I’m currently most fond of is You’ve got to Hide your Love Away

And there undoubtedly others. The readers of Rolling Stone magazine pick their favorites.

What’s your least favorite Beatles covers?

There’s a whole slew of older artists of the Beatles era trying too hard to be hip and relevant but feeling like the lounge singer Bill Murray used to play on Saturday Night Live (or a slightly more current reference, the Sweeney Sisters).

Still my thumbs are down to two pop music legends of the 1960s. The Supremes doing A Hard Day’s Night, originally on an album I owned called A Bit of Liverpool. “It’s ben a hard (hard) day’s (day’s) night.” Disliked it on first hearing. the other is Elvis Presley doing an off-key and listless version of Hey Jude; just unpleasant to listen to. (Though not eligible for consideration, Mitch Miller’s version of Give Peace A Chance is a HOOT.)

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ROG

Y is for Yes, Yoko

I’ve thinking about Yoko Ono a lot lately. Part of it is the fact that last month was the 40th anniversary of John Lennon & Yoko’s famous (or infamous, depending on your POV) bed-ins, the first at the Amsterdam Hilton, as people who have heard the Beatles’ single The Ballad of John and Yoko can tell you. A second bed-in was in Montreal, where Give Peace A Chance was recorded.

But as an ex pointed out to me a long time ago, before she knew Beatle John, there was Yoko Ono, the avant garde fluxus artist. I recently discovered a retrospective of her work took place between 2000 and 2004, called “Yes Yoko Ono”, including at MIT in 2001. Indeed, it was, famously, “yes” that attracted John to Yoko. In the mid-1960s, John went to an art gallery, climbed a ladder leading up to a small printed YES on the ceiling which one looks at through a magnifying glass; it was the positive message that drew him in.

The notion that she “broke up the Beatles” is no more true than Linda Eastman breaking up the Beatles when she married Paul McCartney; perhaps an element of truth amidst many, many other factors.

Yeah, sometimes she screams when she sings. Although the very first time I heard Remember Love, the GPAC B-side, it was more childlike in delivery. (Note: the video has visuals that may offend some.)

The blogger Samurai Frog quoted Any Major Dude with Half a Heart in noting that “Even after 28 years, her husband’s murder must be a horrible pain to bear, but Yoko Ono is marketing — exploiting — her widowhood a little too publicly and cynically, exemplified by that ‘John would say…’ shtick, as if Lennon was a sage-like Confucius rather than a complex man with some serious limitations. No matter how swell Yoko thought her husband was, it is nauseating. It perpetuates the false notion that Lennon had special insights into the human condition.”

And she can make artistic decisions that are disturbing to some. The Lennon items that are part of a new exhibit that launched a couple months ago at the Rock & Roll Hall of Fame Annex for John Lennon: The New York Years includes Lennon’s famous New York City T-shirt, his upright piano from his Dakota apartment, a posthumous 1981 Grammy Award for the couple’s album “Double Fantasy”, but also John’s bloodied clothes from December 8, 1980.

Not incidentally, her biggest commercial single, Walking on Thin Ice, came out after that tragic event. It and Kiss Kiss Kiss from Double Fantasy were also dance-hall favorites.

Still, the enmity Yoko brings on is quite remarkable in its vitriol. June Chua, writing about Yoko’s 70th birthday a few years back, noted: “In a Watch magazine article about her 1996 CD, Rising, the reviewer suggested John’s killer ‘could have saved us all a lot of grief by just aiming one foot to the right.’ The violence in this statement is reprehensible. Yoko watched the person she loved slaughtered in front of her. She had to hold his dying body as life drifted from him…Yoko didn’t fit the stereotype of rock star girlfriend/wife.”

Yoko and Olivia Harrison, the other Beatle widow, seem to be getting along well, at least in public settings such as the opening of the Cirque du Soleil performance of Love, which featured Beatles’ music.

Meanwhile, Yoko is still making music in her own name and offering scholarships in John’s.

Music namechecking Yoko:
Oh Yoko by John Lennon from the Imagine allbum
Dear Yoko by John Lennon from the Double Fantasy album
Be My Yoko Ono by Barenaked Ladies
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Allen Klein, former Beatles manager, died July 4. Link to picture of Allen, Yoko and John.

For ABC Wednesday

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The Lydster, Part 63: The Songs

It’s been long been my philosophy that, as much as I love providing information for youse folk, a primary point of this blog is as a resource for myself. Things I think I’ll remember “forever” fade into oblivion.

With that in mind, I’m going to note the songs I sing to my daughter. Often, it’s the case that I’ll take an existing song and put new lyrics to it. If I do that, though, it has to be a song that she does not know. Once, I tried singing something to the “Wonder Pets” theme: “Lydia, Lydia, my favorite girl…” I was scolded, and told “THAT’S not how it goes.”

So, I take songs obscure to her. One of the first was this ditty:
“I love Lydia
I love Lydia,
‘Cause she is my daughter
Oh yeah
She is my daughter.”
This is to the tune of I Eat Cannibals by TOTAL Coelo. I didn’t even KNOW what the tune was at first, since I don’t even own it, I don’t think.

Another song I adapted Turn Down Day by The Cyrkle, a group best known for covering Paul Simon’s Red Rubber Ball. The words vary, but I usually start with the chorus, usually trying to prod the child out of bed:
It’s a day-care day
And it’s time to get some clothes
It’s a day-care day
Let’s get ready.

These tend to be the morning songs.

There are a slew of tuness to choose from when I sing to her at bedtime. Many are standard children’s songs, though she likes a variation on Twinkle, Twinkle about traffic lights which she taught me. “Sing A Song of Sixpence” is altered from “pecked off her nose” to “[kiss sound] kissed her nose”, at her instance, NOT me being overprotective.

The Car Song I learned from my father and I sing to her: “Mommy, won’t you take me for a ride in the car.” Be Kind to Your Parents was from from a record my sister Leslie and I had on red vinyl when we were kids; we sang it at my 50th birthday party.

But always, these are the last two. When she’s really tired, these are the ONLY two: A, You’re Adorable, which my mother sang to me – indeed the ONLY song I remember my mother ever singing to me, and for which I changed many of the lyrics, starting with J (“you’re so jolly”) because I couldn’t remember the original; and Good Night, the song from the Beatles’ white album, during which I turn on her night light, then slowly dim the overhead light.

Tomorrow, my take on yesterday’s news.

ROG

ROG

M is for Money

Happy U.S. Income Tax Day!

Every year in the United States, the Social Security Administration sends out Your Social Security Statement to help me plan for my “financial future”. It provides estimates of your Social Security benefits under current law.” But for me, it’s a personal history lesson.

The first year I worked, 1969, I made $529 at the Binghamton (NY) Public Library. I worked six months at IBM in 1971 and made the most I would make until 1978. $50 in 1976 – really? I can always tell when I went to college, or when I was unemployed or underemployed.

I also received my 401(k) statement this week. I started putting money in this account because we were all warned that Social Security wouldn’t be there. My employer and I each contributed about $1000 each this past quarter. I managed to lose that plus an additional $5800. So much for retiring.

Let’s talk about music instead. There are two great songs called Money that I own and that come to mind. The first was written Berry Gordy, founder of Motown Records, when challenged by someone who complained that all he wrote about was romance. “What else do you care about, Berry?” Well, there was money.

The original version of Money was recorded by future Songwriters’ Hall of Famer Barrett Strong, who later teamed with the late Norman Whitfield to write I Heard It Through the Grapevine (a hit for both Gladys Knight & the Pips and Marvin Gaye), War (Edwin Star’s hit), and a bunch of late 1960s/early 1970s classics for the Temptations, such as Too Busy Thinking About My Baby, Papa Was a Rolling Stone, Just My Imagination and Ball of Confusion.

Barrett Strong’s version of Money went to #2 on the Billboard R&B charts for six weeks, and to #23 on the pop charts early in 1960. It’s #288 on the Rolling Stone magazine’s list of greatest songs, and was covered by a Liverpudlian band of some note, the Beatles.

The other Money song is by the British band Pink Floyd, by that point consisting of David Gilmour, Roger Waters, Rick Wright and Nick Mason. It appeared on the 1973 album Dark Side of the Moon, and though it spent but one week at #1 in the U.S., it spent a total of 741 weeks on the U.S. album charts, selling more than 15 million copies.

For those unfamiliar, it has one potentially ‘naughty’ word.

I’m still collecting the state quarters. Right now, all I need is a Missouri quarter from the Denver mint; I even have both District of Columbia coins. But I haven’t seen the Puerto Rico quarter yet from either the Philadelphia or Denver mints and other territories will be released this year. (And yes, I know DC and Puerto Rico are not states, but their coins are a continuation of the same series.) Meanwhile, I’m still looking for Denver mint coins for two of my co-workers.


Certainly it was the juxtaposition of Marilyn Chambers as wholesome Ivory Snow mom with Marilyn Chambers as, er, an actress that helped fuel whatever commercial success she had. No, though my name is Green, I’ve never seen Behind the Green Door or any of her other work. She died this week.
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And speaking of advertising, does Burger King REALLY think it’ll make money mixing SpongeBob Squarepants, Sir Mix-A-Lot, and “the TRUE (non-pirate) meaning of the word ‘booty'”, as my friend Fred put it in his April 13 post? And if the BK King is creepy in 30-second increments, he’s REALLY bizarre in the 2:30 segment Fred found.
***
OK, so what other song about money am I thinking of? The clues are in this post.

ROG

ROG

April Ramblin'

I briefly attended that vigil for Binghamton yesterday. Would have stayed longer but for the fact that it was cold, occasionally rainy, and I had the child, who has been sick recently, in tow. She may not have understood the point of the gathering, attended by about 45, including Albany’s mayor (who, not incidentally is, running for re-election), but I still wanted her to be there. That event, along with the story in question, probably prompted this response from me.

THE best television newsperson to come out of the Capital District of New York State, Ed Dague, is in chronic pain. Touching story. I met him at least twice, which I should write about sometime, I reckon.

Greg finds legislation he just can’t get behind.

Gordon touts Robert Johnson, as well he should.

They are remastering the whole Beatles catalog. Given the fact that I’ve already bought it all about thrice (US LP, UK LP, CD), do I want to buy this AGAIN? No, yet the Past Masters package sounds annoyingly intriguing.

Ken Levine talks about Point of View, one of my favorite episodes of M*A*S*H. Did the TV show House steal it? Didn’t see the House ep, but I have my doubts.

15 free downloads to pep up your old PC, which I haven’t tried yet, but I figure if I post it, it’ll remind me.

I’m getting fairly obsessed with getting the Denver mint state quarters. All I need are Hawaii, Washington state, Missouri and, most problematic, Pennsylvania, the eldest. Oh, and the District of Columbia; just got the Philly mint version this week. Haven’t seen the Puerto Rico quarter yet.

My good buddy Steve Bissette discusses, in great deal, including 27 8 by 10 color glossies, Saga of the Swamp Thing #20, the transitional first issue by Alan Moore, John Totleman, and himself that starts off the neat book I just received.
Part 1
Part 2
Part 3
Part 4
Part 5
Part 6

Speaking of Swamp Thing, the co-creator of, and later Steve’s editor on, the title, coping as well as one can, given the circumstances, but there’s a movement afoot to replace the comics he wrote or edited and, to that end, for people to contribute to a Len Wein comics checklist. I always liked his work during my days of reading Marvel Comics.

So THAT’S what happened at the Albany Comic Show Sunday, before I got there.

ADD’s Eisner picks. I’ll take his word for it, since the only thing on the list I own is Mark Evanier’s Kirby book, though Coraline has been on back order for about a month.

Evanier tells A Story You Won’t Believe about Spike Jones.

I’m so pleased: Two weekends ago, we went to the in-laws for their 50th wedding anniversary. Last weekend was Lydia’s 5th birthday party at the State Museum. Next weekend is something else again. This coming weekend, Easter, the wife and her mother were trying to come up with a plan to get together. The final resolution – we’re all staying in our respective homes and resting; I mean we’ll go to church and all, but no travel. I for one am exhausted, and so is my wife, so this is a good thing.

Nik from Spatula Forum celebrates five years of blogging by talking about…

Arthur from AmeriNZ celebrates both his 100th blogpost and two years of podcasting.

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ROG

#1- the Beatles. #2 – the Beatles…

On the Billboard charts of April 4, 1964, 45 years ago this week, a phenomenal thing took place. Not only was the #1 single by the Beatles – Can’t Buy Me Love, which would stay on the top of the charts for five weeks – but the whole top five was dominated by the Fab Four. The week before, the Beatles had 10 singles on the Top 100 charts, 12 the following week and 14 the week after, crushing Elvis Presley’s record of nine on December 19, 1956. and it was facilitated by this one fact: the Beatles were a bust when they were first released in the United States.

For instance, She Loves You was a reissue of a failed September 1963 release on Swan Records. From Me To You managed to get all the way up to #116 in 1963 on VeeJay. My Bonnie, a 1962 Decca release, originally failed to chart at all.

But when the Beatles, now on Capitol Records, hit #1 with I Want To Hold Your Hand the week of February 1, 1964, followed by their first appearance on the Ed Sullivan Show on February 9, those records on those other labels began to chart as well. No label would have put out more than a couple songs by an artist at once – Can’t Buy Me Love ascended to the top as I Want To Hold Your Hand descended for Capitol, but the other companies wanted to take full advantage of Beatlemania.

I was always a little bothered by the Beatles’ #1 as a collection, for it fails to register the quality and quantity of Beatles hits in that first period. Please Please Me (likely) and Twist and Shout (almost definitely) were blocked from getting to #1 only by another Beatles song.
***
MIT DEN BEATLES Whole Category on JEOPARDY!, Show #5644 – Thursday, March 5, 2009

$200 The Beatles honed their chops playing clubs in the Reeperbahn, a red-light district in this German port city
$400 One of 2 official Beatles German-language releases, “Komm, Gib Mir Deine Hand” was the lads’ take on this 1964 smash
$600 Astrid Kirchherr & Klaus Voormann are characters in this movie dramatization of the Beatles’ time in Germany
$800 To please their rabid German fans, the boys re-recorded this hit as “Sie Liebt Dich” in 1964
$1000 While making “Let It Be”, the Beatles recorded “Geh Raus”, a German-language spoof of this No. 1 hit
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The Beatles Complete on Ukulele.

Math Professor Figures Formula for Beatles Success
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JEOPARDY! Questions
Hamburg
I Want To Hold Your Hand [on Past Masters #1]
BackBeat [which no one on the show got; I saw the movie and own the soundtrack]
She Loves You [on Past Masters #1]
Get Back [which I’ve never heard! Anyone out there own this? Anyone even HEARD this?]

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Beatlemania

The 45th anniversary of the Beatles’ appearance on Ed Sullivan cannot go unmentioned here. Still working on my comprehensive list of songs, but in the meanwhist, as they in “Life of Brian” (George Harrison was a big Monty Python fan):

On episode #5602 of JEOPARDY!, which aired 6 January 2009, there was a whole category of BEATLES LYRICS
$200: “Sont les mots gui vont tres bien ensemble tres bien ensemble”
$400: “Waits at the window, wearing the face that she keeps in a jar by the door, who is it for?”
$600: “You say yes I say no you say stop and I say go go go”
$800: “Beep beep mm, beep beep, yeh!”
$1000: “I once had a girl, or should I say she once had me”
Answers below.
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One of those music memes that was circulating a few years ago:
Artist/Band: The Beatles
Are you male or female: Rocky Raccoon; Mr. Moonlight
Describe yourself: Fixing a Hole; Fool on a Hill
How do some people feel about you: Come Together; Day Tripper
How do you feel about yourself: Long and Winding Road; Getting Better
Describe what you want to be: Something; Bad Boy
Describe how you live: Twist and Shout; Searchin’
Describe how you love: Ain’t She Sweet; A Taste of Honey; All My Loving; All You Need Is Love
Share a few words of wisdom: Tomorrow Never Knows; Wait; Get Back
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The Beatles (1963-70)

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Cryptoquip:
Beatles hit about a street on which people congregate and create plays on words: Punny Lane
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Any Time At All “a unique musical blend of The Beatles and Traditional Irish and American Flatpicking tunes”
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JEOPARDY responses: “Michelle”, “Eleanor Rigby”, “Hello Goodbye”, “Drive My Car”, “Norwegian Wood”; all ultimately answered correctly, though “hello Goodbye” was muffed by two contestants before the third got it right.
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B is for Beatles

In honor of the 45th anniversary of the Beatles on Ed Sullivan next month, where most of America first saw the Fab Four, I thought I’d track down my development as a Beatles fan.

Yes, I watched Sullivan on February 9, 1964, and I thought the group was all right. But I really couldn’t hear them or enjoy them over all of that SCREAMING. I went to school the next day and it appeared that my female classmates in the fifth grade had also been riddled by a mild form of what came to be called Beatlemania. This really turned me off from the group.

Beatles at the Indiana State Fair

But as I saw them (twice more on Sullivan) and heard them on the radio (a lot) I began to soften towards them. Don’t know exactly when, it was some point after the movie A Hard Day’s Night came out, because I had had zero interest seeing it at the time, whereas I eagerly watched 1965’s Help! as soon as it was released. Eventually, both my sister Leslie and I clamored for some music by the Beatles, and so my father brought home this:

Apparently, parents all over the country were fooled were fooled by this knockoff. Frankly, I don’t recall how, or even if, we expressed our disappointment.

In 1965, I started a paper route, which meant I had my own money. At some point after June, I joined the Capitol Record Club. 12 albums for only a penny! (If you buy 12 more at the club’s inflated retail price, plus shipping.) I ordered all the Beatles’ albums that were out at the time, and was horrified to discover that my Meet the Beatles was in stereo, rather than mono, since the warning on the stereo albums was that they were incompatible with a mono player; ultimately, I played it anyway.

That year and the next, we would lipsynch Beatles’ albums, especially Beatles VI, which was the first of the full-price albums I bought, using brooms and mops as guitars and Quaker Oats boxes as drums. . I was John, the literate, intelligent one; Leslie was Paul, who was left-handed and she thought he was CUTE; our neighbor Mary Jane was Ringo, because she thought he was CUTE; and our baby sister Marcia was George, because he was the only one left.

I started reading all the magazines about the Beatles. One article stood out: John Sebastian of the Lovin’ Spoonful indicated that Drive My Car was his favorite album on the album Rubber Soul. EVERYBODY knows that Drive My Car was on Yesterday…and Today, didn’t they? It wasn’t until a couple years later, possibly until after the breakup, when I discovered that the British albums and the American albums were not the same.

I quit Capitol Record Club when I realized I could buy the albums not only cheaper, but sooner from the stores. I got Rubber Soul and Revolver from the club, but Yesterday…and Today from the Rexall Drug Store ($2.99) and Sgt. Pepper at W.T. Grant’s for the outrageous amount of $3.67. I noticed I was at least a little colorblind because it took me forever to find the word Beatles on the Magical Mystery Tour cover. I recently discussed the white album.

In the 1970s and early 1980s, I started reading books about the Beatles and became rather expert at what was on which album in the UK and the US, and even Italy. Recently, a colleague went to a funk concert and asked about a song called Bad Boy. I could tell him, without looking it up, that it was a Larry Williams song from my beloved Beatles VI in America, but that it didn’t show up in Britain until the mostly singles collection A Collection of Beatles Oldies But Goldies in late 1966. It’s on the Past Masters 1 CD.

I decided, probably foolishly, that in the next couple weeks, at random intervals, I will rank the entire list of Beatles songs, based on how much I would enjoy a piece if I haven’t heard it in, say, six months. It is NOT necessarily a list of BEST songs, though quality can enhance enjoyment. The list will punish perfectly good recordings that, from overplaying, I just don’t want to hear anymore.

I’m going to limit the list to the canon; that is, the songs released on Beatles singles, albums and EPs through 1970. In other words, the tunes from the British Beatles CDs and from the Past Masters CDs. There will be no songs from the Anthology albums.

If I were a purist, I would have separate listings for the single and album versions of Love Me Do, Let It Be and Get Back or the alternative and album versions of Across the Universe; I don’t. While the single version of Get Back is what I had in mind, the coda on the album version has its charm.

NASA beamed a song — The Beatles’ “Across the Universe” — directly into deep space at 7 p.m. EST on Feb. 4, 2008. The transmission over NASA’s Deep Space Network commemorated the 40th anniversary of the day The Beatles recorded the song, as well as the 50th anniversary of NASA’s founding and the group’s beginnings.
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ROG

Interesting Copyright News

I’m forever fascinated with copyright law. Article I, Section 8, Clause 8 of the US Constitution empowers Congress “to promote the Progress of Science and useful Arts, by securing for limited Times to Authors and Inventors the exclusive Right to their respective Writings and Discoveries.” Note the words useful, exclusive and especially, limited. I’m not going to go into a dissertation about how the changes in copyright law in the United States I believe is contrary to the original intent.

I can’t find it presently, but there was a recent story about a guy who played on the original sessions for the Beatles’ album Revolver (1966) and that his payments would end soon because British copyright law’s term will have ended. It was suggested that Britain might seek a copyright law similar to that currently employed by the United States. To which I only have five words to say: NO, NO, NO, NO, NO!

Other interesting recent stories from New Media Law & E-Commerce News, Vol. 13, No. 1, January 5, 2009, ISSN 1489-954X, which can be found in detail here include:

Music Industry Set to Abandon Mass Piracy Lawsuits – RIAA stops pursuing legal action against ISPs

Harry Potter Lexicon Decision Analyzed – by the ARL and the ALAs. The article, by Jonathan Band, is entitled How Fair Use Prevailed in the Harry Potter Case (PDF).

Judge Rules Facts Are Not Copyright-Protected – this re: two movies about the 1970 plane crash that killed the Marshall University football team.

Hasbro Drops Lawsuit Against Makers of Scrabulous – R.J. Softwares won’t use the term “Scrabulous” and made changes to the game after the lawsuit had been filed.

Canadian Copyright Board Increases Tax on Blank Compact Disks- from 21 cents to 29 cents.

In each of these cases, I feel that common sense has won out.

Then there was this situation: $900 Million Copyright Suit Filed Over Illegal Use of Subscription Web Site
I don’t want to say it’s a frivolous lawsuit, since clearly harm was done to the copyright holder, about $5000 in fees. But to get from $5K to nearly a billion dollars is a circuitous argument that practically begs for tort reform, something I generally think an overstated argument.

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Rousseau lost out

A couple months ago, I went to the Albany Public Library to listen to Dr. Ron Bassman, former psychiatric patient and current psychologist, talk about how the mental health profession tends to warehouse mental patients, giving them a “one size fits all” treatment. One of the things he mentioned was the societal pressure for conformity and an intolerance of much variation. That certainly seems true in terms of the uncivil discourse of politics in the United States. It seems even more true, as Dr. Bassman alluded, to the fact that there are more people imprisoned in this country than any other country that people would consider “civilized”. Are Americans more prone to criminal behavior? If not, why do we have so many locked up,when perhaps alternative sentencing may be a more viable option?

Ron told me to go to the Rousseau post in the Wikipedia and check out the highlighted quotation under the discussion of Theory of Natural Man:
“The first man who, having fenced in a piece of land, said “This is mine,” and found people naive enough to believe him, that man was the true founder of civil society. From how many crimes, wars, and murders, from how many horrors and misfortunes might not any one have saved mankind, by pulling up the stakes, or filling up the ditch, and crying to his fellows: Beware of listening to this imposter; you are undone if you once forget that the fruits of the earth belong to us all, and the earth itself to nobody.”
— Jean-Jacques Rousseau, Discourse on Inequality, 1754

My first thought: I wonder if Woody Guthrie studied Rousseau. My second thought: I wish I knew philosophy better than whatever I studied in one freshman college course over 35 years ago.
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There is a project aimed to collect limericks for every meaning of every word in the Oxford English Dictionary. There are over 49,000 approved limericks in the Omnificent English Dictionary In Limerick Form and they’re only up to Dd so far.

See, e.g., the 26 entries for aardvark, one of which is:
This really could be quite a lark,
Limericizing aardvark.
Though the rhyme is infernal,
The mammal’s nocturnal.
(It only comes out after dark.)

There are 17 limericks for the Beatles, most of them British album specific, though not this one:
A beetle’s a hardcover bug,
With an arthropod face for a mug,
While the Beatles were all
(John, George, Ringo, and Paul),
Liverpudlians I’d love to hug.

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