The Award-Winning…

Jaquandor was kind enough to bestow upon me a “Kreative Blogger” award of some sort.

I feel a certain obligation to pass these kinds of things along, based on the theory that, back in the olden days when I started blogging, some 4.7 years ago, it made the blogisphere – dare I say it? – FUN. Blogging should be fun, even if one’s venting one’s spleen to do so.

You’re supposed to reveal seven things about yourself. Of course, the problem with that I’m almost out of stuff to “reveal” that 1) I didn’t reveal before, 2) require more than a line or two, or 3) I’m not planning to reveal at this point, or quite possibly, ever. No guarantees that the list below might not have bumped into the first category:

1. I receive an irrational amount of pleasure when I delete one piece of spam in Gmail and it says I’ll be deleting “the one conversation”, or “both conversations” when I delete two, as opposed to those programs that will delete “all 1 conversations”, or some such.

2. I once got a B in art in 7th grade. My parents were at a loss as to how I did so well. This explains almost everything you need to know about me and doing art.

3. I once almost flew with someone who was traveling on someone else’s ticket. He got detained by airport security and the police for about seven hours until he showed his security clearance. This, BTW, was before 9/11.

4. I have no tattoos. I’m not opposed at this point, but 1) it would keep me from donating blood for a while and 2) my wife would hate it. Then there’s the pain and permanence thing, but those are secondary.

5. At least twice, I took jobs because of affairs of the heart. Neither was worth it; the jobs weren’t, that is, but the affairs of the heart were.

6. I tape sporting events then watch them later, going through lots of machinations (no news watching/reading or e-mail/Facebook/Twitter). Sometimes it works (Jets/Bengals, Eagles/Cowboys Saturday games I watched on Sunday; Packers/Cardinals Sunday game I finished Tuesday morning); sometimes not (the Patriots loss on the front cover of Monday’s Wall Street Journal).

7. I’m allergic to penicillin and Naprocyn, have been for years, yet I’m too lazy to get one of those tags. But we have one for my daughter with her peanut allergy.

Then I’m supposed to pass the award along. That’s a bit tougher. I’d have considered Jaquandor’s Byzantium Shores. I’d also have picked SamuraiFrog’s Electronic Cerebrectomy, except he gave the award to Jaquandor and that’s a bit too circular for me. Then there are the bums gentlemen who stopped blogging in the last year, who I used to follow.

Still, there’s:

1. Arthur @AmeriNZ – your usual, everyday blog of a gay man from Illinois who moved to New Zealand for love. OK, there’s a LOT more to it: talk about politics, comparative US/NZ culture and whatever enters his fertile mind. He also has a couple podcasts, one on politics, the other, more general.

2. Coverville – the blog is primarily a support mechanism for Brian Ibbott’s great podcast “featuring unusual covers of pop, rock and country songs by new and established performers.” But in the last year or so, he’s added a song rating system to the site. Also, he and his listeners have found some nifty videos of covers that he’s posted.

3. Progressive Ruin: Unfortunately, I gotta give props to Mike Sterling, even though he’s a cheater pants, not just for his persistence – I think he posted 364 days last year – but for some of his regular features, such as his deconstruction of the absurd items Diamond comics catalog, and especially Sluggo Saturdays. Still his obsession with the comic creature Swamp Thing is…disturbing.

4. And speaking of Swamp Thing, its best renderer, IMHO, my buddy Steve Bissette posts his Myrant, a mix of digital comics, comics & film history, political tirades and more.

5. Scott’s Scooter Chronicles is about music, books, beer, and hockey. Truth is that I’m not a big fan of the latter two, but he even makes those interesting. It’s also about his two young sons and being unemployed in America. SOMEONE GIVE THIS MAN A JOB!

6. Anthony Velez’s The Dark Glass is a series of theological musings. Sometimes I don’t understand, but he always explains it, or tries to.

7. Gordon at Blog This, Pal! is mostly a pop culture (comics/TV/movies) blog. He knows more about Doctor Who and Kids in the Hall than anyone has a right to. I happen to particularly enjoy those too-rare glimpses of his personal side (his mom, St. Louis vs. Chicago). He also has a podcast that he’s rethinking. He knows I’d always vote for keeping the music, but really, he should do what brings him joy.

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Beatles cover music QUESTION

In my tradition of playing the music that I own, I have divvied up my Beatles music thusly:
In October, in honor of John’s birthday, I play the canon. In this case, the British CDs (including Magical Mystery Tour, which became adopted as such), plus the two Past Masters CDs of singles, B-sides, EPs cuts and oddities.
In February, in honor of George’s birthday, I play the American albums. George, visiting his sister Louise, was the first of the Beatles to visit the U.S.
In June, in honor of Paul’s birthday, I play the more recent items: Live at the BBC, the Anthology series, and Love, e.g.
In July, in honor of Ringo’s birthday I play Beatles covers. After all, Ringo’s All-Starr bands are known to cover the hits of the contributing musicians.

And I have LOTS of whole albums dedicated to Beatles covers. Some are of whole albums: Big Daddy doing Sgt. Pepper, a MOJO collection replicating Revolver, George Benson taking on Abbey Road. There are whole soundtracks: All This and World War II, I Am Sam, Across the Universe.

So what are your favorite Beatles covers? I am fond of these:

Come Together by Tina Turner; Aerosmith’s take is fine, but too close to the original
Eleanor Rigby by Aretha Franklin (she puts it in the first person); though the pure excess of both the Vanilla Fudge and Rare Earth versions always made me chuckle.
Got To Get You Into My Life by Earth, Wind and Fire; one of the only good things to come out of the Sgt. Pepper’s movie debacle.
In My Life by Judy Collins; though there are other fine versions, notably Johnny Cash’s.
We Can Work It Out by Stevie Wonder; I once bought an LP just for that song.
You Can’t Do that by Harry Nillson, which segues in other Beatle tunes in a most delightful way.

Special kudos to Joe Cocker, who made several Beatles’ tunes his own. but the one I’m currently most fond of is You’ve got to Hide your Love Away

And there undoubtedly others. The readers of Rolling Stone magazine pick their favorites.

What’s your least favorite Beatles covers?

There’s a whole slew of older artists of the Beatles era trying too hard to be hip and relevant but feeling like the lounge singer Bill Murray used to play on Saturday Night Live (or a slightly more current reference, the Sweeney Sisters).

Still my thumbs are down to two pop music legends of the 1960s. The Supremes doing A Hard Day’s Night, originally on an album I owned called A Bit of Liverpool. “It’s ben a hard (hard) day’s (day’s) night.” Disliked it on first hearing. the other is Elvis Presley doing an off-key and listless version of Hey Jude; just unpleasant to listen to. (Though not eligible for consideration, Mitch Miller’s version of Give Peace A Chance is a HOOT.)

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Beatlemania

The 45th anniversary of the Beatles’ appearance on Ed Sullivan cannot go unmentioned here. Still working on my comprehensive list of songs, but in the meanwhist, as they in “Life of Brian” (George Harrison was a big Monty Python fan):

On episode #5602 of JEOPARDY!, which aired 6 January 2009, there was a whole category of BEATLES LYRICS
$200: “Sont les mots gui vont tres bien ensemble tres bien ensemble”
$400: “Waits at the window, wearing the face that she keeps in a jar by the door, who is it for?”
$600: “You say yes I say no you say stop and I say go go go”
$800: “Beep beep mm, beep beep, yeh!”
$1000: “I once had a girl, or should I say she once had me”
Answers below.
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One of those music memes that was circulating a few years ago:
Artist/Band: The Beatles
Are you male or female: Rocky Raccoon; Mr. Moonlight
Describe yourself: Fixing a Hole; Fool on a Hill
How do some people feel about you: Come Together; Day Tripper
How do you feel about yourself: Long and Winding Road; Getting Better
Describe what you want to be: Something; Bad Boy
Describe how you live: Twist and Shout; Searchin’
Describe how you love: Ain’t She Sweet; A Taste of Honey; All My Loving; All You Need Is Love
Share a few words of wisdom: Tomorrow Never Knows; Wait; Get Back
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The Beatles (1963-70)

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Cryptoquip:
Beatles hit about a street on which people congregate and create plays on words: Punny Lane
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Any Time At All “a unique musical blend of The Beatles and Traditional Irish and American Flatpicking tunes”
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JEOPARDY responses: “Michelle”, “Eleanor Rigby”, “Hello Goodbye”, “Drive My Car”, “Norwegian Wood”; all ultimately answered correctly, though “hello Goodbye” was muffed by two contestants before the third got it right.
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ABC Wednesday: L is for Little Roger and the Goosebumps & Led Zeppelin

As is my wont, I was listening to the Coverville podcast a couple weeks ago. Brian Ibbott decided to play several covers of Led Zeppelin’s Stairway to Heaven, some straightforward, some silly. I was disappointed, though, that he didn’t play my favorite cover by Little Roger and the Goosebumps, Stairway to Gilligan’s Island. As it turns out, Brian had played it on this April 2007 episode.

I discovered that the song, recorded in March 1978, and released it as a single in May 1978, inspired Led Zeppelin’s lawyers to threaten to sue for copyright infringement and demanded that remaining copies of the recording be destroyed. This is highly ironic, given the fact that Stairway seems to be heavily copped from the 1968 song Taurus by the group Spirit, the first song on that recent Coverville episode, a snippet of which can also be found here. In fact, this website addresses many of Led Zeppelin’s “influences”.

At least I own a collector’s item.

HERE.
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October 9 birthdays in the category: Lennon, Sean, who I saw perform last year, and his late father John, who is represeented here:
or here.

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Macca's Route 66

I saw this PETA ad in some magazine recently.

Made me at least think about my carnivore ways.

I love this old piece on Paul McCartney and Jack Kirby.

Paul’s still out there playing. Recently he did a benefit concert in Ukraine. One of the songs he sang in Ukraine, of course, was Back in the USSR. Here’s an interesting cover:

One of my favorite Paul songs with his first group:

Paul turns 66 today. Happy birthday.

I remember seeing her well past her prime, probably on some awards program, and she STILL had great legs.

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Inspired by Originalville #2

I had so many songs that I could have used but didn’t, such as the original version of Handy Man, done originally by Jimmy Jones, with James Taylor having the big hit. But I did have enough I decided to do a second disc of originals that became bigger hits later.

1. Hush by Billy Joe Royal.
A big hit (#4)for Deep Purple in 1968.
2. Wherever I Lay My Hat by Marvin Gaye.
I only knew the Paul Young (#70, 1983) version
3. I’m a Believer by Neil Diamond.
Neil provided lots of options: Solitary Man (Chris Isaac, Johnny Cash), Kentucky woman (Deep Purple), Red, Red wine (UB40). But I opted for the Monkees’ song (#1, 1966), who performed it first, before Neil (#51, 1971).
4. Mary Mary-the Monkees.
I recall the uproar in the musical purists who wondered why the pre-fab band band was doing a Butterfield Blues Band song. Then it was revealed that it was actually a Mike Nesmith song. The complaints went away.
5. Heaven Is In Your Mind by Traffic.
6. Eli’s Coming by Laura Nyro.
7. The Loner by Neil Young.
8. Lady Samantha by Elton John.
Now we’ve come to the Three Dog night portion of our disc. Brian Ibbott did a Three Dog Night Originalville back in February, but he didn’t use these songs, so I did. Laura Nyro wrote lots of songs you’ve heard of; unfortunately, she died at 49 of ovarian cancer. The 3DN version of Samantha was a friend’s favorite song; I’d never heard the EJ version until Mr. Hembeck turned me onto it.
9. You can Leave Your Hat On by Randy Newman.
I could have included a Randy Newman song, Mama Told Me Not To Come, as another 3DN tune, but since Brian had used it, I opted for the song that Joe Cocker covered.
10. War-The Temptations.
It was not unusual that multiple Motown artists would record the same song, but due to the nature of this song, this one was a bit complicated; see this Wikipedia link.
11. Strawberry Letter 23-Shuggie Otis.
When I came up with this concept, this was probably the first song that was definitely going to be included. Shuggie Otis is the son of Johnny Otis, who I wrote about earlier this year. Even Brian didn’t know about the original. The Brothers Johnson version went to #5 in 1977.
12, Giving Him Something He Can feel-Aretha Franklin.
The very last track on the QoS 4-CD box set, but, though it went to #28 in 1976, I was not familiar with it, and I didn’t really notice it until En Vogue had had a Top Six version in 1992.
13. Tell the Truth-Derek & the Dominoes.
This a total cheat. This is the original version done by the band, released as a single in 1970, but then withdrawn. The version that is on the Layla album is slower and bluesier; this version is more frenetic, and for me, favored.

I had stayed late at work last Friday night working on this on Roxio, but it practically made my computer explode. Seriously: Corrupted error report: Unfortunately, the error report you submitted is corrupted and cannot be analyzed. Corrupted error reports are rare. They can be caused by hardware or software problems, and they usually indicate a serious problem with your computer.

Then my old and good friend Uthaclena came up on Saturday, upgraded my computer, and installed Nero. Sunday, I was having the problem that the disc drive would hang up unless I closed in and out of Nero, which eventually corrected itself. Add to that the child thief. I mention all this as explanation/apology to those waiting. Since I finally got a groove going, I made 20 of each disc. Six are going to the other Mixed CD participants; seven are going to my work colleagues, some of which were helpful in creating the playlist; three to some helpful folks, such as Messrs. Hembeck and Uthaclena. One to my sister; oh, golly, one for ME. That leaves three for the first three people who ask.
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Inspired by Originalville #1

As I’ve mentioned here before, I’m a big fan of the podcast Coverville, hosted by Brian Ibbott. It’s a show that generally features of cover songs of artists, sometimes as a theme and sometimes by listener request. (BTW, if you are curious what I sound like, go to this Bob Dylan edition, right before he plays the Joan Baez song.

Occasionally, Brian’ll play a song that’s the original of a song that people might think was done by a more popular artist. That is the inspiration of the mixed disc I did for Lefty Brown’s Mix Bag VI.

Here are the songs on Disc 1:
1. Who’s Sorry Now by the Rhythmakers.
Truth is that I don’t know if it IS the original. I do know it came out in the 1930s, long before the 1958 Connie Francis version, which went to #4 on the Billboard charts.
2. Walking Blues by Robert Johnson.
I’m pretty sure this IS the original. There were lots of songs to choose from (Sweet Home Chicago, Crossroads, e.g.) but I picked this tune because it was covered in the 1960s by the Butterfield Blues Band, who show up later in this story. It’s a blues standard.
3. Hey Bartender by Floyd Dixon.
4. I Don’t Know by Willie Mabon.
Brian did a Coverville involving the Blues Brothers recently; these are the originals of songs that Jake and Elwood performed on that first Blues brothers album.
5. Bring On Home by Sonny Boy Williamson.
6. Killing Floor by Howlin’ Wolf.
Two songs purloined by Led Zeppelin without attribution, the latter forming the basis of the Lemon Song.
7. Louie Louie by Richard Berry.
Before the Kingsmen or Paul Revere & the Raiders came this classic version. From the Hembeck collection.
8. Hello Mary Lou by Gene Pitney.
Is this really an Originalville? I believe Gene Pitneey recorded this AFTER Rick Nelson had a Top 10 hit in 1961.
9. Oh Lonesome Me by Don Gibson.
Actually a big hit for Gibson in 1958, but I know it better as the much slower song recorded by Neil Young for After the Gold Rush.
10. Blue Bayou by Roy Orbison.
Went to #29 for Orbison in 1963. Might not have even included it except for baseball announcer Tim McCarver. After Linda Rondstadt had a Top 3 hit in 1977, McCarver would refer to a fastball as a “Linda Ronstadt – you know, blew by you.” Feh. If he had called it a Roy Orbison, I wouldn’t have complained.
11. Money by Barrett Strong.
The first Motown hit. On Coverville, there was some confusion about whether the Beatles were the originators of this song. Actually, Strong wrote many Motown hits, although not Money.
12. Devil in His Heart by the Donays.
I had lots of songs that the Beatles covered to choose from, but I picked this one from the Hembeck collection as it was among the most obscure.
* Now here’s the point I would have added the Rolling Stones’ version of I Wanna Be Your Man, which they performed before the Beatles, had I owned it.

13. Stop Your Sobbing by the Kinks.
The Pretenders had a minor hit (#65) with this song. Oh, I suppose I should mention the later Ray Davies-Chrissie Hynde romance.
14. Go Now by Bessie Banks.
The last three songs are from the Hembeck collection. This one was Top 10 for the Moody Blues in 1965.
15. Good Lovin’ by the Olympics.
The Olympics actually went to #81 in 1965, but the Young Rascals hit #1 in 1966.
16. My Girl Sloopy by the Vibrations.
The Vibrations got to #26 in 1964, but the McCoys, with a title changed to Hang On Sloopy, went to the top of the charts in 1965, with the Ramsey Lewis Trio also having a hit (#11) in ’65.

Oh, and this is what Gordon said about his own disc, and what Tosy said about Lefty’s.
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Al Gore’s “Inconvenient Truth” becomes an opera.
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Harvey Korman interview: Part One; Part Two; Part Three. One of the funniest lines ever was delivered by Harvey to Carol Burnett at about 3:30 here: “Scarlett, that gown is GORGEOUS.” RIP, Harvey.
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I’ve learned that not only did Earle Hagan write all those TV themes I mentioned yesterday, he also wrote the classic jazz tune “Harlem Nocturne” covered by the Viscounts, Brian Setzer and many others.

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The Most Wonderful Time of the Year

As I’ve noted, I often play music based on artists’ birthdays. This week, I have quite a few albums by these folks:
May 9, 1949, Billy Joel
May 10, 1961, Bono (Paul Hewson) (U2)
May 12, 1948, Steve Winwood
May 13, 1950, Stevie Wonder
May 14, 1953, David Byrne
And at least one from these people:
May 9, 1937, Dave Prater (Sam & Dave)
May 9, 1944, Richie Furay (Buffalo Springfield/Poco)
May 9, 1945, Steve Katz (Blues Project/Blood, Sweat & Tears)
May 10, 1946, Dave Mason (Traffic)
May 10, 1946, Donovan (Donovan Leitch)
May 11, 1941, Eric Burdon (Animals)
May 13, 1966, Darius Rucker (Hootie & The Blowfish)
May 14, 1936, Bobby Darin
May 15, 1948, Brian Eno
May 15, 1953, Mike Oldfield
May 16, 1966, Janet Jackson
So sue me, I bought that first Hootie album. Oh, and the exact dates of the birthdays I’ve seen different by a day or two.

Last night, Carol and I saw a musical based on the music of one of these folks as a pre-anniversary present for ourselves. Wanna guess which one?

I was thinking about a couple questions Eddie (yes, him again) posed:
1. Is it any slight to the original artist when someone else’s version of a song becomes the definitive one? Even if the original artist wrote it?
I can think of at least a couple examples where the original artist acknowledged the superiority of the cover. One was Otis Redding’s Respect; he said of Aretha Franklin something like “That girl done stole that song from me.”
Then even Trent Reznor of Nine Inch Nails noted, somewhat wistfully, that Johnny Cash’s version of “Hurt” had become the definitive one.
[And speaking of which: Trent Reznor for intellectual property czar.]
I suppose it depends how the songwriter feels about the song. If it it’s his or her “baby”, then losing it might not feel so hot. But if the writer is open to new possibilities, then I’d think it’d be an honor. Unless…
2. What do you think about cases where a cover is actually quite inferior to the original, yet is wildly more successful?
I’m trying to think of an example of this, actually. Do you have something in mind? Can anyone think of an original, written by the artist, that the cover was not good, yet sold well? Purists might pick Dolly Parton’s “I Will Always Love You”, but Whitney Houston’s version was not technically terrible, just mind-numblingly overplayed.

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Music covers QUESTION

There was a 90-minute discussion on the Coverville podcast, episode 450, about cover music. Brian, the host, posed several questions of the panel of fellow podcasters of cover music. I listened to it some weeks ago, so not all the particulars are fresh in my mind. Still, here are a couple questions inspired by that podcast.

1. What IS a cover version? For instance (and this was on the show), is Eric Clapton doing Layla considered a cover of the Derek and the Dominoes version? The panel thought not.

2. How about when a songwriter writes the song, gives it to another artist, THEN records it? I believe Gene Pitney’s Hello Mary Lou, recorded by Ricky Nelson before Pitney recorded it, would qualify. Which one is the cover? I don’t know.

3. Or what if Ronnie Spector took a Ronettes song such as Be My Baby and sang background vocals on a more contemporary artist? I think that WOULD be a cover?

4. What makes a good cover song? Sometimes, but not always, a different point of view – a female singing what had been a song previously performed by a male – will help. It cannot be a slavish imitation of the original; what’s the point? Often the remake features faster or slower tempos, unusual instrumentation or other qualities.

5. What is the first cover song that you really enjoyed that you recognized as a cover? Motown folks were always covering each other, but mine was We Can Work It Out, Stevie Wonder’s cover of the Beatles’ tune.
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