More on the Kennedy Center Honors that took place on December 2 and is airing on CBS on Wednesday, December 26 at 9 pm EST.
I was afraid the Kennedy Center might treat Brian Wilson as some has-been of the 1960s, but it appears not to be so, as they cite his more recent works as well as his classic Beach Boys songs.
It’s odd that I never owned a Beach Boys album until Pet Sounds, which is my favorite . But once I got into the group, I did so in as major way. I’ve probably repurchased more Beach Boys music (vinyl to CD) than any group save for the Beatles. I now own, in one form or another:
Beach Boys Concert (32:03) (r. 19th October 1964)
Christmas Album (27:32) (r. November 1964)
Pet Sounds (35:39) (r. 16th May 1966)
Smiley Smile (27:00) (r. 5th September 1967)
Wild Honey (23:55) (r. 4th December 1967)
Friends (24:57) (c. 6th July 1968)
20/20 (29:33) (c. 1st March 1969)
Sunflower (36:10) (r. 31st August 1970)
Surf’s Up (32:59) (r. August 1971) – my second-favorite album
Carl and The Passions – So Tough (33:47) (r. 14th May 1972)
Holland (35:49+11:57=47:46) (r. 8th January 1973) this I have on vinyl with the story on a separate disc.
15 Big Ones (37:51) (r. June 1976)
Love You (33:40) (r. March 1977)
This doesn’t count a number of compilations, from a pair of double LPs in the early 1970s to the box set in the 1990s. The fifth CD in the box set has a 9-minute, “in process” version of “God Only Knows”, the last three minutes of which begs to be released as a single. The box set was actually a present to a friend, which I got back after she died.
Of Brian’s solo discography, I have:
Brian Wilson, 1988
Gettin’ In Over My Head, 2004
What I Really Want For Christmas, 2005
The final artist to be honored is Diana Ross, or as the announcer puts it on a box set called The Motown Story, “Miss Diana Ross.”
There were LOTS of Supremes albums at my house when I grew up. Of this list, we had all of them in the 1962-1967 section except the Christmas album. When the group became Diana Ross and the Supremes, I still got a number of the albums; from that section, all except Funny Girl, Cream of the Crop, Greatest Hits 3 and Farewell.
But after her first two solo albums, I was disinclined to buy any more. I think, like many of the Motown artists, I resented how Berry Gordy pushed her to the fore. According to the December 5 Wall Street Journal, the main character in the new movie Juno wants people to know that her name came not from the capital of Alaska but from Zeus’s wife. (“She was supposed to be really beautiful but really mean, like Diana Ross.”)
Not that I was unaware of Miss Ross. Her version of Ain’t No Mountain High Enough was the backdrop to some Black History Month assembly in 1971. Certainly I heard the hits such as Love Hangover and Upside Down. I heard Endless Love endlessly. I still have a visual of her singing in a thunder storm in Central Park.
But the bulk of her solo work eluded me. So, while I was (allegedly) doing Christmas shopping for others a couple weeks ago, I was compelled to buy The Definitive Collection Somehow, I managed to miss the anthemic “I’m Coming Out” and a number of other songs. As it’s likely my only DR on CD, matching my Supremes CD greatest hits compilation as the lone digital representation in my collection, I’m actually glad to have it.