Category Archives: Fox

Behind the Curve

Partially because I deigned to watch football the last three weekends and partially because I have the annoying habit of taking on more stuff than I’m comfortable with, I’m behind in watching stuff on TV, reading the paper, etc.

That two-hour Haiti special, the album for which is the first #1 album that exists without an actual physical product? Haven’t watched it.

The State of the Union – read the reviews, but not heard the actual address. The chat Obama had with Republicans that went so well for the President that FOX News stopped showing it 20 minutes in – plenty of places to read it or watch it, including here but hasn’t happened yet. Still, I think Evanier’s right when he notes: Once you tell your constituents that everything Obama does is evil, you can’t meet him halfway on anything without appearing to be compromising with evil. You can’t even support him when he does things you like. I think that’s a lot of our problem right there.

Of course, being behind has its benefits. After Martha Coakley lost to Scott Brown in the Massachusetts race for US Senate, there’s been this revisionist message that the Democrats only dumped on her because she lost. Watching the Sunday morning talk shows two and nine days before that election, it was clear that the Democrats, though muted in their criticism – she was still their candidate – suggested that she did not run the robust campaign she ought to have. Yes, in answer to her rhetorical question, you DO pass out fliers in front of Fenway Park.

Some stories I missed altogether, such as the death of Pernell Roberts, the eldest son on Bonanza who later became, in some bizarro world spinoff, Trapper John in the CBS drama Trapper John, MD. It was not a great show, though it was the jumping off point for now-Broadway legend Brian Stokes Mitchell.

I plowed through a couple weeks of the Wall Street Journal and came across this story of Scarlett Johansson’s debut on Broadway as well as a very positive review of “Gregory Mosher’s revival of ‘A View From the Bridge, Arthur Miller’s
1955 play about love and death on the Brooklyn waterfront.” “Of course you’ll be wondering about Ms. Johansson, whose Broadway debut this is, and I can tell you all you need to know in a sentence: She is so completely submerged in her role that you could easily fail to spot her when she makes her first entrance. You’d never guess that she hasn’t acted on a stage since she was a little girl.”

Other stories I just didn’t know what to say. I noticed that Kate McGarrigle of the singing/songwriting McGarrigle Sisters, and also mother of Rufus and Martha Wainwright, died of cancer at the age of 62 back on January 18. The best I could come with is a link to an obituary for Kate written by her sister Anna. I was listening to Trio, an album by Dolly Parton, Linda Ronstadt and Emmylou Harris this week. There’s a Kate song called I’ve Had Enough, about lost love, but feels right here.

Love it’s not I who didn’t try
Hard enough, hard enough
And this is why I’m saying goodbye
I’ve had enough, I’ve had enough
Love you don’t see
The pain in me
That’s plain enough, plain enough
You’re never here to catch the tears
I cried for us, I cried for us

I’ll take my share but I’ll be fair
There’s not much stuff
Easy enough
And if you choose I’ll break the news
This part is tough, so very tough

I’ve tried and tried to put aside
The time to talk, but without luck
So I’ll just pin this note within your coat
And leave the garden gate unlocked

And this is why I’m saying goodbye
I’ve had enough, I’ve had enough

Her funeral is today in Montreal.

Little Boxes theme from Weeds by the McGarrigle Sisters.

ROG

Slippery affiliation

I was going to request a tape of the season finale of Gilmore Girls on this blog, but I’ve already been helped by a certain blogger.

It has been one of the very few shows that Carol and I watch religiously, ever since we caught it in summer reruns during its first season. It’s a soap opera, and I don’t mean that pejoratively at all. (N.Y.P.D. Blue, ER, Hill Street Blues – all soap operas.)

I had set the VCR to tape at home. But I neglected to tell Carol that she needed to put in a FRESH (just like the WB!) tape and the incumbent tape ran out of space about 20 minutes into the show! (I would have changed it myself except that I was still in Lake Placid.)

And since I was still in Lake Placid Tuesday, I went up to my room after the SBDC awards banquet at about 10 p.m., turned on the TV, flipped through the channels and came across an episode of Gilmore Girls. Initially, I assumed it was a rerun broadcast on ABC Family cable, but it soon became evident that it was THAT NIGHT’S episode, which I watched.

Most of the buzz about this series has about the rapier-quick dialogue between Lorelei and Rory, the relationship of Lorelei (and Rory) with Lorelei’s parents, and the Luke and Lorelei relationship- Will they? Won’t they? They did – now what? (An aside: I’ve long wondered if their names are nods to Luke and Laura from the daytime soap General Hospital.)

But the best thing about this show is about the parallel construction that the show tends to provide. I don’t always pick it up until the show is over. This season ender was about quitting. Will Rory quit Yale? Will her best friend Lane Kim quit her band? Where they each end up, and how they got there, was a real treat.

But why was it on at 10 p.m.? Was there some (amazingly rare) Presidential news conference or some major catastrophe that backed up the programming?

Nah.

In the Plattsburgh, NY/Burlington, VT television market, there is no WB affiliate, so WFFF in Burlington (actually Colchester), FOX 44, broadcasts the 8-10 pm WB shows from 10 pm-midnight!

Those of you in large markets may not appreciate this fully. When I was a kid, there were 7 stations in New York City, 2 (CBS), 4 (NBC), 7 (ABC), 13 (PBS), and 5, 9, and 11 (all independents). Eventually, 5 became a Fox affiliate, 11 became the WB’s outlet, and 9 went with UPN (and moved to New Jersey).

(Incidentally, this numbering is the reason most fictional TV stations in those days were 3, 6, 8, or 12, the remaining numbers on the VHF dial, or some upper number on the UHF dial, Channels 14-83. Most notable is WJM, Channel 12, Minneapolis, on The Mary Tyler Moore Show. And if you don’t know what the heck I mean by VHF and UHF, look here.)

But in a smaller market, such as Binghamton, NY, where I grew up (and at a time when there were only the three “major” networks), there were only two stations, WNBF, Channel 12 (CBS) and WINR, Channel 40 (NBC).

Then one Saturday morning in the fall of 1962, I turned on the TV just before 7 a.m. to Channel 34. Where there had nothing, suddenly we had a third station! It was WBJA, an ABC affiliate. My TV viewing choices had just increased by 50%!

What I didn’t realize until later is that Channel 12 (and perhaps Channel 40) were broadcasting some ABC programming before
Channel 34
came on the scene. I specifically remember Lawrence Welk, an ABC show, showing on Channel 12 Saturday nights at 6 or 6:30 pm. I recall that other ABC shows such as Bachelor Father, The Flintstones, Hawaiian Eye, Leave It to Beaver, Ozzie & Harriet, The Real McCoys, and Top Cat would show up on the schedule, often on Saturday and Sunday afternoons, outside of prime time (which was usually 7:30-11 pm in those days.) I remember these shows quite clearly, and most of them were off the schedule by the fall of 1962. I must have seen theme SOMEWHERE. Cable didn’t exist and I didn’t go to New York City that often.

Apparently, shows broadcast by one network appearing on the affiliate of another network was common in most small markets, going back to the days when there was a fourth network, Dumont, in the mid 1940s to the mid-1950s.

You big-market folks just don’t understand the confusion…