July Ramblin'

When the swine flu – I’m sorry, the H1N1 virus – was first announced in the spring, I was feeling bit peevish about the pundits who seemed to think that the government – actually world governments – were making too much of the disease. Frankly, i think it was due to lack of understanding of the nomenclature. We don’t know what a Level 6 (pandemic, declared weeks ago) feels like. We understand gradations of temperature, the difference between a Category 1 and category 3 hurricane or a 3.6 earthquake vs. a 6.6. Anyway here’s John Berry’s 2009 WHITE PAPER ON NOVEL H1N1 (PDF). Barry wrote the book The Great Influenza about the 1918 flu epidemic: “Three of the preceding four pandemics, 1889, 1918, and 1957, show clear evidence of some fairly intense but sporadic initial local outbreaks scattered around the world.

“The novel H1N1 virus seems thus far to be following the pattern of those three pandemics, and it seems highly likely that it will return in full flower. If the virus is fully adapted to and efficient at infecting humans, this would occur soon, possibly during the influenza season in the southern hemisphere or possibly a few months later in the northern hemisphere. The 1918 and 1957 viruses both exploded in September and October in the northern hemisphere, even though this is not the influenza season.

“If the virus needs further adaptation to become fully efficient in infecting humans, that could be delayed, quite possibly a year or two later. It seems very unlikely that this virus will peter out.”
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Got this e-mail: Black Male Teachers – Do you know any Black males who are seniors in high school who want to go to college out of state for “FREE” ? Several Black Colleges are looking for future black male teachers and will send them to universities/colleges for 4 years FREE .

The ‘Call Me MISTER’ program is an effort to address the critical shortage of African American male teachers particularly among South Carolina ‘s lowest performing public schools . Program participants are selected from among under-served, socio-economically disadvantaged and educationally at-risk communities…

Visit here for more details and the online application or call (800) 640-2657.

But if you GO to that page, you’ll ALSO read “Please read this memo regarding an email hoax that provides misinformation about our program.”
It has been brought to our attention that an erroneous e-mail, rife with inaccuracies and misinformation about the Call Me MISTER Program, is making its way around the country. Said e-mail makes such false claims as “South Carolina HBCUs offer FREE TUITION” and our program is for “African American MALES ONLY”, neither of which is true. While we do offer tuition assistance and book support, plus a small stipend to defray other associated costs of attending college, we DO NOT now offer, nor have we ever offered, a full scholarship.
Myths need to be debunked.
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Lean times in L.A. County leave no money for the dead. This is a story about more people opting for cremation. As someone heavily influence by Jessica Mitford’s The American Way of Death, I applaud the trend, even if it’s being done out of economic necessity.
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On a lighter note, from Yahoo! Food: 5 Summer Food Mysteries Solved. I KNEW the ice cream one to be true.
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My wife and her class saw the movie The Yes Men last weekend. “Shocking and funny,” she described it. as it turned out there was an article in the local paper about the movie’s follow-up, now playing on HBO and perhaps coming to a theater near you.
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Paul McCartney returns to the Ed Sullivan Theater as he appears on Letterman, 45 years after his first appearance on “The Ed Sullivan Show.” Paul at Citi Field, NYC.
***Amusing and even educational. Church Advertising
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This video was made in the Antwerp, Belgium Central (Train) Station on the 23rd of March 2009. With no warning to the passengers passing through the station, at 08:00 am a recording of Julie Andrews singing ‘Do, Re, Mi’ began to play on the public address system.” As the bemused passengers watch in amazement, some 200 dancers begin to appear from the crowd and station entrances.
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A final goodbye for S. Palin, YouTube fodder from last year, but what they hey.

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And Gordon

One of the very first albums I ever bought from the Capitol Record Club -11 albums for only one cent! (But read the fine print) was BIG HITS FROM ENGLAND AND USA: one side had two songs each from BEATLES, BEACH BOYS, and PETER & GORDON, the other side, 2 songs by NAT KING COLE and CILLA BLACK, plus “Tears and Roses” by AL MARTINO. I probably still have it upstairs in the attic.

The intriguing thing I discovered as I actually looked on the record’s label was that Lennon-McCartney were listed as composers not only of the Beatles’ songs, Can’t Buy Me Love and You Can’t Do That, but also of the songs of Peter & Gordon, A World Without Love and Nobody I Know. It took me a while to catch up on the Beatles’ trivia that Peter, the one with the glasses, was the brother of Paul’s girlfriend Jane Asher. Peter & Gordon recorded a number of Lennon/McCartney (really Macca) tunes such as I Don’t Want To See You Again and Women, attributed to Bernard Webb to see if the songs were moving because of the Beatles’ connection; based on its chart action, maybe they were.

Peter later became a prolific record producer for James Taylor and Linda Ronstadt, among others.

But what of Gordon Waller after the 1968 breakup? According to Gordon’s website, he also stayed busy in the music business, with an extensive, if not commercially successful discography.

He also had opportunities to sing with his old mate from time to time. Gordon Waller died of cardiac arrest on July 17 at the age of 64. Peter writes:

Gordon played such a significant role in my life that losing him is hard to comprehend – let alone to tolerate.

He was my best friend at school almost half a century ago. He was not only my musical partner but played a key role in my conversion from only a snooty jazz fan to a true rock and roll believer as well. Without Gordon I would never have begun my career in the music business in the first place. Our professional years together in the sixties constitute a major part of my life and I have always treasured them.

We remained good friends (unusual for a duo!) even while we were pursuing entirely separate professional paths and I was so delighted that after a hiatus of almost forty years we ended up singing and performing together again more recently for the sheer exhilarating fun of it. We had a terrific time doing so.

Gordon remains one of my very favourite singers of all time and I am still so proud of the work that we did together. I am just a harmony guy and Gordon was the heart and soul of our duo.

I shall miss him in so many different ways. The idea that I shall never get to sing those songs with him again, that I shall never again be able to get annoyed when he interrupts me on stage or to laugh at his unpredictable sense of humour or even to admire his newest model train or his latest gardening effort is an unthinkable change in my life with which I have not even begun to come to terms.

I’d read on one of the sites that the duo was originally billed as Gordon & Peter. It’s tougher when you’re after the ampersand.

World Without Love:

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There was this old Shake ‘N Bake commercial – do they still make that stuff?– and this girl with a STRONG Southern accent says, “And I Haiped!” Which is supposed to be “helped”. Brian Ibbott’s recent Kinks Koverville, er Coverville was a topic I suggested in honor of Ray Davies’ 65th birthday last month. I also pointed out the Tom Jones version of Sunny afternoon, which he played to, so far, positive reaction, I’m surprised to note. ROG

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Macca and Ebert

It’s James Paul McCartney’s 67th birthday.

I continue to like about 50% of Macca’s output. Never really warmed to the Fireman album as I did Chaos and Creation. But I LOVED this bootl unauthorized recording of Paul doing Beatles songs someone sent me. Some are straight covers, but others, notably Yesterday and Hey Jude are just plain goofy; in the former, rabbits are mentioned.

There’s always one story in Beatlefan magazine that I treasure. The March/April 2009 edition is no exception. Bruce Spizer did a tribute to Alan Livingston. Don’t know who he was? He was the one who signed the Beatles to Capitol Records. The bare facts of his life are reflected on the Wikipedia page, but not his personality. As Livingston’s widow recalled, he was the one who recognized the group’s full potential and put the resources of Capitol Records behind the group. Here’s a different, less in-depth Livingston interview. But his career ran from Bozo to Sinatra and from Beatles to Star Wars; he was president of entertainment at 20th Century Fox when the movie was being developed. Livingston died on March 13, 2009 at the age of 91 and without him, you might not have heard of Paul McCartney.

It’s also Roger Joseph Ebert’s 67th birthday. I used to watch Ebert & Roeper religiously, and before that, Siskel & Ebert. Lately, I’ve been more interested in his non-film essays than his reviews. His recent essay about death is a prime example. Always engaging.

Happy birthday, Paul and Roger.
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Songs That Move Me, 40-31

40. Love Is Like An Itching In My Heart – the Supremes.
Much of Motown lived on the bottom, and this did too, but had lots of other elements, including a great vocal.

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Macca's Route 66

I saw this PETA ad in some magazine recently.

Made me at least think about my carnivore ways.

I love this old piece on Paul McCartney and Jack Kirby.

Paul’s still out there playing. Recently he did a benefit concert in Ukraine. One of the songs he sang in Ukraine, of course, was Back in the USSR. Here’s an interesting cover:

One of my favorite Paul songs with his first group:

Paul turns 66 today. Happy birthday.

I remember seeing her well past her prime, probably on some awards program, and she STILL had great legs.

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Songs That Move Me, 100-91

100. As – Stevie Wonder.
This song is good until it gets to the “preach” segment; then it’s transcendent.
Feeling: as though I were at a revival meeting.

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Beatles' TV Alert

On A&E, Sunday, February 3, 2008

7 a.m. BIOGRAPHY: The Beatles’ women
A look at the women–some celebrated, some forgotten–who influenced the lives of the Fab Four and were often the muses behind some of the Beatles’ greatest songs. Includes portraits of Yoko Ono, Linda Eastman, Pattie Boyd, Barbara Bach and Heather Mills. Plus, we look back at May Pang, John Lennon’s lost weekend companion; Cynthia Lennon, his first wife; Jane Asher, Paul McCartney’s posh girlfriend during the band’s heyday; Maureen Cox, Ringo’s first wife; and Olivia Trinidad Arias, who married George in 1978. TVPG | cc
8 a.m. Paul McCartney: Live at the Olympia
They are known among fans as the “secret concerts.” In 2007, Sir Paul McCartney took his band to a few small select venues around the world to play the most intimate, raw, and stripped down shows of his storied career. The shows have already become legendary. The most spectacular of all the performances was in Paris at the Olympia Theater in October. 43 years earlier the Beatles had played a series of concerts at the venue and for the 2007 show McCartney revisited the Beatles songbook, as well as playing solo hits and some tracks from his Grammy-nominated album “Memory Almost Full.” TVPG | cc
9 a.m. Private Sessions: Ringo Starr “Ringo shares a private look into his career.”
This morning, in an in-depth exclusive interview, former Beatle Ringo Starr chats with host Lynn Hoffman about his incredible career. His music, as a solo artist and as a Beatle, is permeated with his personality, his warmth and humor and his exceptional musicianship, which have given us songs we all know and love. Starr reflects about what it was like being part of the world’s most adored and famous group; his solo career; and his touring the globe with his All Starr Bands. TVPG | cc

9 A.M. for the premiere of the Ringo piece?? If you miss it, the Ringo piece will be repeated at 4 a.m. on Sunday, February 10.

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Top 10 5 Albums of 2007

I only got 13 albums that came out in 2007, all CDs, as opposed to downloads or vinyl. Unlike the movies I didn’t see, this fact does not particularly distress me as much as it might, since I did download some individual cuts as well as older albums I had on vinyl.

So coming up with a Top 10 seemed silly. I will discuss all of them, but then give you my Top 5, which is pretty soft.

Across the Universe SOUNDTRACK – It’s OK. Too much of it sounds the same. Didn’t see the movie, though, and that might have helped. I love EDDIE IZZARD doing Mr. Kite, though.

Like A Hurricane-Neil Young Tribute, Uncut Magazine. Pretty good actually, though invariably uneven.

It’s Not Big, It’s Large- Lyle Lovett. As I wrote here, I like it, but haven’t played it in over a month. Might rank higher when I hear it again.

Memory Almost Full-Paul McCartney. I liked it, especially some of the latter songs. The cut that explains the meanings of the songs really enhanced the album for me.

Magic-Bruce Springsteen. I enjoyed it quite a bit actually, but with a couple of exceptions, it sounds as though it could have come out a decade or more ago.

Live In Dublin-Bruce Springsteen. This lives heavily on the songs from the Seeger Session of 2006 that I loved so much. Works well here, too, plus some great reframing of the Springsteen oeuvre, and a surprise or two.

We’ll Never Turn Back-Mavis Staples. Lefty Brown turned me onto this album, and it was in constant rotation in the summer, one track in particular.

Photograph: the Very Best of Ringo Starr. Quite possibly all the Richard Starkey I’ll ever need. A mostly known commodity going in, and some good songs. Beatlefan magazine posed the question a couple months ago whether Ringo, as a solo artist, deserved to be in the Rock and Roll Hall of Fame; I’d say no, as commercial success, and is largely not a criterion.

And now, my Top 5:

5) West- Lucinda Williams. This might be is a hard album to love for me. Sometimes the lyrics are weak, sometimes the music, though usually at least one element is outstanding. Some of the lyrics are as nonsensical as Dylan’s most obtuse. There’s a 9-minute quasi-rap song that somebody on Amazon called the WORST SONG EVER. But when it clicks, it really works for me. It’s no “Car Wheels on a Gravel Road”, but it is a worthwhile effort about loss.

4) Dirt Farmer – Levon Helm. – Maybe I’m a sucker for a feel-good story. Helm, the voice of the legendary group The Band, survived throat cancer, but he was unable to talk, let alone sing. But with treatment, he was able to do both. And this album, which sounds like The Band mixed with the music of the group’s roots, is outstanding. His daughter Amy, who sings with the group Olabelle, is also present here.

3) Chrome Dreams II-Neil Young. What Nik said about the eclectic nature of the project. BTW, Tosy once had a post about the longest and shortest album cuts. He and I had the same Dylan cut as the longest, but Ordinary People on this album at 18 minutes surpasses that. (I have since discovered that I have a 20-minute live version of Frank Zappa’s Don’t eat the Yellow Snow.) Here’s a review from the United Methodist Church website!

2) Raising Sand- Alison Krauss/Robert Plant. Actually, I bought this for my wife for Christmas. I always buy Alison Krauss for my wife for Christmas or her birthday when she has a new album out. While there were some duets that sounded more like her fare, there’s at least one cut that’s louder than anything on any Krauss album I’ve heard. In any case, it works because of genre-bending song selection and a great production by T-Bone Burnett. The more I hear it, the more I like it.

1)I’m Not There SOUNDTRACK- (Nik: this is how I write every day – I just quote other people.) As Nik says, compilations are tough, but this one works exceedingly well, even though I didn’t see this movie yet, either.

The album I’m most likely to get, sound unheard, based on everyone else’s reviews: LCD Soundsystem, Sound of Silver.

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FAME Question

Since David Bowie’s birthday is coming up Tuesday, I had fame or Fame on my mind.

Someone’s Twitter page recently read that he could not believe that someone didn’t know Vincent Price. I do. There’s a real generational chasm about fame.

A recent cover of Us Weekly indicated that Heidi Montag called off her wedding to Spencer because of behavior MTV failed to show. Trouble is, I had no idea who Heidi Montag was, or whether she looks better after undergoing “a lip enhancement procedure.” Or who Spencer was.

I understand that Fergie, who was/is in the group Black Eyed Peas 1) is engaged to some hunky TV star and 2) peed in her pants this year, but I don’t know the details of either.

When I heard that Britney Spears’ sister got pregnant, I didn’t appreciate why a big deal was being made until I discovered that Jamie Lynn Spears is the star of a Nickelodeon show Zoey 101 where she plays a role model for young girls.

And who the heck is Tila Tequila that Tom the Dog hates so much?

Conversely, people who used to be generally famous aren’t anymore. The average 13-year-old doesn’t know who Walter Cronkite, once “the most trusted man on television” is.

I remember that about 30 years ago, Andy Rooney had a series of specials. On one of them, or maybe on his regular 60 Minutes gig, he posited who he thought was famous, his definition being that people in a wide range of ages would know. Paul McCartney, yes. Michael Jackson, pre-Thriller, pre-nose job, pre-sex trials, was not. So, Johnny Knoxville of Jackass doesn’t quite make it now.

1) Who used to be famous but isn’t anymore because a new generation has come up that doesn’t remember him/her?

2) What are the criteria for what makes someone famous? I think it’s a long career that transcends their initial niche: Michael Jordan and Tiger Woods in sports, e.g. or Oprah Winfrey in talk. Showing up in a lot of popular TV shows and/or blockbuster movies: Tom Hanks, Bruce Willis, Will Smith.

3) Who might become famous? One can never tell, of course, but Miley Cyrus a/k/a Hannah Montana, seems to have the possibility. Heck, even I know her.

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Sorta Like When Gilbert Met Sullivan

One of the very first albums I owned, from the Capitol Records Club, was something called Big Hits of from ENGLAND AND USA: one side contained two songs each from BEATLES, BEACH BOYS, and PETER & GORDON for “the kids”, the other side, two songs by NAT KING COLE and CILLA BLACK, plus one by AL MARTINO for “the grownups.” The intriguing thing I discovered is that Lennon-McCartney were listed as composers not only of the Beatles’ songs, Can’t Buy Me Love and You Can’t Do That, but also of the songs of Peter & Gordon, A World Without Love and Nobody I Know. I wasn’t then up on the Beatles’ trivia that Peter was the brother of Paul’s girlfriend Jane Asher.

So, I have a LOT of music written by John and Paul. Some of it the Beatles didn’t even release, or appeared for the first time on the Anthology series, including the album pictured, the Songs Lennon & McCartney Gave Away. I read somewhere, though I’ve never confirmed it, that there were over 100 non-Beatles L&M songs.

What’s the cause of this nostalgic look? Why, today is the 50th anniversary of the meeting of John Winston Lennon and James Paul McCartney at the Woolton Garden fête held at St. Peter’s Church. Liverpool. John’s Quarrymen were playing, and after the gig, Ivan Vaughan, a mutual friend, did the intros. Paul showed John what he could do on the guitar, soon joined The Quarrymen, and the rest, as they say…

The bulk of the non-Beatles Beatles songs I own range from classic (Joe Cocker on a few tunes) to banal (The Brady Bunch on Love Me Do) to awful (Elvis doing Hey Jude). I’ve listened to a LOT of versions of their songs recently, from classical to Latin to soul. There are remakes of entire albums, including my most recent acquisition, Meet the Smithereens, a very competent, but hardly essential, redo of Meet the Beatles, which, annoyingly, attributes ALL of the songs to Lennon & McCartney; George Harrison wrote Don’t Bother Me and Meredith Wilson wrote ‘Til There Was You. Thanks to Fred Hembeck for turning me on to several of these.

The funniest, and by that, I mean the funniest L&M song that wasn’t intended to be funny, has to be Mitch Miller and the Gang doing Give Peace a Chance; that straight-laced, but well-sung, choir doing the chorus, while the lead vocalist doing the verses, and lines such as “Stick it to the man.” This is as goofy as some of those old Dragnet shows, where Joe Friday confronts “the hippies”. (And yes, I know Give Peace a Chance was Plastic Ono Band, but the songwriting credits were still citing John and Paul.)

So, happy anniversary to a partnership that, thanks to technology, has managed to recreate their music into this century.

Folks, I’d love you share your lists of favorite and least favorite songs written by Lennon-McCartney, and who performed them.
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Johnny B. directed us to a series of articles about Paul and the Beatles; the part 3 best encapsulates the magic which was the Beatles.
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Yes, I watched Larry King last week, when Paul, Ringo, Yoko, and Olivia were on. I don’t think he’s a great interviewer, but the occasion, the first anniversary of the Cirque du Soleil show LOVE, was…nice.
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Ringo, the eldest of the four Beatles who made it big, turns 67 tomorrow.
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