Category Archives: Raoul Vezina

Another FantaCo Recollection

Gates of Eden (May 1982) was arguably the best thing FantaCo Enterprises of Albany, NY, where I worked from 1980-1988, ever put out. Had a great Michael Kaluta cover, and work by John Byrne, Steve Leialoha, Michael T. Gilbert, Trina Robbins, Fred Hembeck, Foolbert Sturgeon, Lee Marrs, Jeff Jones, P. Craig Russell, Rick Geary, Kim Deitch, Spain, Sharon Rudahl, Gary Hallgren, and John Caldwell. It was also a disaster commercially. Comic blog impresario Alan David Doane has put together some memories of Gates of Eden,; the title was inspired by Bob Dylan. See what Christopher Allen, my Internet buddy Johnny Bacardi, and yes, I had to say about it here.

I was looking at the FantaCo Wikipedia page recently and it occurred to me that someone should do a Wikipedia page for the late Raoul Vezina. Not only did he do the Smilin’ Ed series for FantaCo, he also worked on New Paltz Comix with the aforementioned Michael T. Gilbert. With Don Rittner as writer, Raoul drew a series of Naturalist At Large cartoons, many of which I had bnever seen before.

It came out a while ago, but that doesn’t mean I shouldn’t still be plugging Fred Hembeck’s 900-page anthology again. It includes Fred’s seven magazines published by FantaCo, plus about 700 MORE pages of goodness.
My, I’ve been feeling crummy the last four days. And I’m supposed to sing this afternoon. I’ve had a range of about a half an octave; wish me luck.


Why I Blog

Sometimes, when I get the blogging melancholy – you know, nobody comments, et al. – I get some positive feedback. All of these e-mails came between April 17 and 22.

One was a message from a new salon that noted my mention in a blog post.

Another was a message from a former high school history teacher of mine who became a county executive and now heads a statewide nonprofit. I’m not clear which assessment he’s referring to, but it’s accurate: “Many thanks for your assessment of me as one of your teachers. Being included with Helen Foley is good company, indeed. Glad to see that you haven’t lost your interest in world affairs. At what library in Albany do you work, or have I misread the information on your blog?” Helen Foley, BTW, was my public speaking teacher, and, not incidentally Rod Serling’s beloved teacher in junior and senior high school.

A third was someone who “met Raoul Vezina in 1983 in a comic store in Albany NY. I have #1-4 signed Smilin Ed comics and a 1983 Fantacon poster signed by Raoul as well. He was a gentle person and very talented. I remember you too. You worked at the comic store…am I correct? My boyfriend at the time…purchased comics at your store. You may remember him. I’m sure you don’t remember me. LOL! [He] and I are not together now. I found your e-mail address on the web when I was looking up Raoul Vezina on my computer. I found Raoul’s Smilin Ed comics when I was cleaning out a drawer. I’d completely forgotten about them. When I saw them, it brought back so many wonderful memories. I have Raoul’s obituary clipping from the Times Union. I don’t know why I saved all this stuff, but I did. As I looked at the comics and the clipping, I wondered if anyone would appreciate them after I’m gone. I decided that no one would, except another person who knew Raoul. My daughter will probably will consider it garbage, not aware that Raoul was a special person and a talented artist. So, saying that, I’d like to ask you if you’d like them. I will send them to you at no cost to you, if you’d like. Let me know.”
Yes, I do remember her boyfriend, but alas not her, but she was most kind.

Also Raoul-related is the first comment to this post.

Always nice to get the psychic, and occasionally, actual goodies.

The Year In Review: Mixed Media

As pop culture goes, my participation in same was pretty dismal. But I’m going to plod on and describe the highlights.

Last month, the Comic Reporter asked its readers to “Name Five Memorable Comics-Related Things About 2008 (A Book You Read, An Experience You Had, An Event That Made You Take Notice — Anything That Would Help You In The Future Recall This Year.” I failed to participate there, but I will here.

1a. Fred Hembeck’s book came out, and I’m mentioned in the thank yous; I like seeing my name in print, what can I say? This also meant that I actually went to more comic-related shows (three) than I have in a while. At two of them, I saw Fred.
1b. At one of those shows, someone actually asked ME to sign some FantaCo Chronicles I worked on 25 years ago. What an ego boost!
1c. I also saw my friend Rocco Nigro, and re-met the inestimable Alan David Doane, who was probably an annoying teenager last I had seen him, rather than the charmer he is now.

2. Someone put out a Wikipedia page for FantaCo, a place I worked for 8.5 years, this summer. Frankly, the page was awful, riddled with errors and omissions. Fortunately, the guy contacted me, and it became the mission of mine and of my old buddy Steve Bissette to rectify the record; the thing is not perfect, but it’s a WHOLE lot better. The incident also gave me a chance to get in contact with former FantaCo owner Tom Skulan for the first time in nearly a decade.

3. Reading Kirby: King of Comics by Mark Evanier. It explained a lot about Jack’s motivation the times I dealt with him on the phone in the early 1980s.

4. The deaths of Steve Gerber in 2008, who unbeknowst to him helped inspire this blog, and of Raoul Vezina, 25 years ago.

5. Freddie and Me by Mike Dawson, which, among other things, made me want to listen to more of the music of the group Queen.

I got maybe a dozen 2008 albums all year, by Lindsay Buckingham, Elvis Costello, Randy Newman, REM, She and Him, Brian Wilson, Lizz Wright, a couple others plus the MOJO take on the Beatles’ white album. I liked them all at some level, but the even snarlkier than usual Newman album “stuck” the most. More old fogey music I received for Christmas and haven’t heard enough to judge: Paul McCartney, James Taylor and Johhny Cash. The latter is a 40th anniversary double CD/DVD box set of his Folsom Prison concerts; just on a quick listen, I’m happy to hear the Carl Perkins and Statler Brothers tunes for the first time.

A paltry number of 2008 pics so far: Iron Man (my favorite), Young@Heart, Man on Wire, Vicki Cristina Barcelona, and Synecdoche, New York. Three of them, IM, MoW and VCB made the Top 10 list at the WSJ along with WALL-E, Slumdog Millionaire and a bunch of other films I will try to see.
Yes, I did see some 2007 films in 2008 and I will undoubtedly see some 2008 films in 2009. Still, five is worse than the seven I saw last year, and catching up on video just doesn’t seem to happen, not that it’s entirely comparable anyway.


Oh, heck, TV deserves its own posting. Thanks to technology, it’s about the only thing I have even a modicum of a chance to (barely) keep up with.


Raoul by Tom Skulan

Tom Skulan was owner of FantaCo Enterprises

When I arrived at New Paltz as a fledgling art student in 1972, Raoul Vezina was already a local legend.
His art graced several bars and dozens of flyers posted in places like the Ariel bookstore.
He was in a band and had already published his own comic book (with Gilbert).

The first time I encountered Raoul I never really met him. He was in the back of one of my art classes before the class had started. He was passing around copies of New Paltz Comix and had a large group of students around him talking to him and asking him questions. He seemed like a super hero.

The first time I actually met Raoul was in Peter Maresca’s Crystal Cave comic shop on Main Street in New Paltz. Peter’s shop, one of only 100 such comic shops in the United States at the time was a big draw for me and for other comic fans. I had landed a part time job there and Raoul was a customer. He later would become an employee when the shop moved for the third and last time. He painted the Crystal Cave window sign as well as various small signs inside the shop- just as he would at FantaCo years later.

My first impressions of Raoul pretty much remained the same as long as I knew him. He was very independent, had a great and unusual sense of humor, loved to doodle often brilliant cartoons, usually late to work, had more friends than anyone I had ever met, kept very late hours and was prone to spending the stray night in jail.

After graduating from New Paltz and being hired directly into a teaching position I still wanted to be involved in a comic store.
So in August of 1978 I rented 21 Central Avenue in Albany and started to repaint and renovate the interior for a September opening.
I usually worked late into the night and left the front door open for some fresh air from the paint fumes. Occasionally someone would wander in and ask what the store was going to be. After telling them most people told me it would never work, including several advertising reps.
One of the earliest people who stopped in was Hank Jansen. Hank would become one of the most loyal, responsible and important of all of the FantaCo employees.

It seemed natural to use friends from New Paltz to help. Kevin Cahill and Veronica Cahill were from New Paltz and had just moved to Albany so that Kevin could attend law school. They were a huge help as was Louisa Lombardo and her sister Julie.
I enlisted Raoul to paint the window and store signs and hired him on immediately since he knew the operations of Peter’s store inside and out. Later I would also enlist 2 other New Paltz acquaintances- Roger Green and Mitch Cohn.

The first day, a Saturday, was a blow out. The store was packed and we did great. Raoul’s signs were a huge hit and responsible for much of the success. All of us had stayed up all night preparing the store and there are some great pictures of all of us collapsing after the doors were closed that day.

We planned a “grand opening” for 2 weeks later. I asked Raoul to do a flyer with a “rat in a space suit”, which he did. We posted the flyers everywhere and also used the character in a full page ad in the Overstreet Price Guide. Later that character, sans space suit, would become Smilin’ Ed- as named by Raoul.

During Raoul’s years at FantaCo he did hundreds of small store signs, several full page ads for the Overstreet Price Guide, dozens of flyers as well as writing and performing well over 100 radio commercials with me. The earliest commercials also featured Kevin, Veronica and Julie. We did the commercials at the WQBK studios and recorded them to tape. As far as I know we one of the first comic shops to advertise on radio. They were a blast to do and Raoul and I would spend hours at his apartment writing scripts and practicing them.

Penciled by Raoul Vezina. Inked/scanned/cleaned up/colored by Bill Anderson in 2008.

Of course there was also Smilin’ Ed the comic version. Raoul and I would spend many hours thinking up stories and writing dialog. The 2nd, 3rd and 4th issue of that comic took far longer to create than anyone might think. The first issue was rushed, late, and had to be driven up directly to the printing plant to be printed on schedule.

That Monday morning in November I received a call at 8:30 AM from Raoul’s girlfriend Dee.
I answered the phone and all I heard was “Tom, Raoul is dead”. I thought it was a pretty sick joke. After all Raoul had just started his vacation on Saturday and I thought he would be miles away spending his time with one of his friends in another state.
“This is a bad joke, Dee”, I answered. She then gave me details and assured me it was real.
Raoul had died at his apartment.

It was surreal as it was the first time I had encountered a friend dying. I informed my girlfriend Mary and headed into the store. I put up a sign indicating the store would be closed Thursday and stayed in my office answering the phone.
The days that week are still a blur to me. I partially remember attending the funeral, being a pallbearer and breaking down.
What I do remember is hundreds of people, from all over, attending the funeral.
It was the most people I had ever seen at a funeral.

So that was it. A life was over far too soon.
Raoul, through his good humor, art and music had touched the lives of thousands of people.
His great cartooning, writing and performing skills were a very important part of the early FantaCo.
I still often think about Raoul. I miss having someone to create with.
As time goes by I do not think I will ever have that again.


Joe Fludd's Raoul Vezina Recollection

Raoul Vezina was part of a very special experience in my youth. You have to understand what it was like back then, when I was in high school. Star Wars Episode IV had just been released, and the phenomenon of that film was so new that no one yet realized that it was in fact the fourth episode in a saga. The whole culture around science fiction, comics, and imaginative gaming that we have today was just a seed barely sprouted. I envy the outlets for these kinds of things that kids have today. When I was that age, I was a devotee–someone who took comic books and science fiction completely to heart and made it what my life was about–surrounded by dabblers who had more time for things like girls, soccer, cars, and computers (and in time, alcohol and drugs) than for the things that were important to me. (I wasn’t even out to myself as gay yet.) I had visited only one comic-book specialty store in my life, the one in the Pike’s Place Public Market in Seattle, and I’d only had a chance to linger there briefly while visiting relatives. When FantaCo Enterprises opened in Albany when I was a Junior in high school, it felt as if it had opened up just for me. It was a place where I was in my own element. And there was Raoul.

While I felt isolated as a young person, at least people respected the things I could do as an artist and a writer. Everyone thought I was good–my classmates, my teachers–and I was accustomed to being able to attract a crowd in school just by opening my sketchbook. But with Raoul at FantaCo, it was different. He, too, was an artist, though he had about ten years or so on me. He was out of school, working at a comic book shop, and wanted to establish himself in his profession. Our professional interests were a bit different; he was more of a humor cartoonist and I was a strict super-hero guy. But Raoul was someone who “got” me in a way that most other people didn’t. His friendship and approval were special to me. The acceptance and encouragement I got from Raoul were acceptance and encouragement from “within the tribe”. I remember one Sunday evening when Raoul and store owner Tom Skulan were guests on a radio talk show on what was then our “album rock” station, WQBK-FM, and I made a point of calling in and helping them keep the conversation about comics, and imaginative things in general, interesting. (As if they needed it.) It was a little taste of being part of something that mattered to me.

Raoul was one of those people who made you believe there was room for one more under his wing. He always had time to look at what I was doing, or chat up the latest developments in The Fantastic Four or The X-Men or whatever I was reading. When I talked about something that interested me, Raoul actually knew what I was talking about and could discuss it intelligently. He knew the artists I liked and understood the kinds of things I wanted to accomplish. FantaCo was a place where I didn’t feel isolated, and Raoul was an important part of the reason why. He introduced me to visiting artists. I remember Raoul was there the first time anyone asked me to sign anything. I was talking to comic artist Joe Staton, who was visiting the store. He did a sketch for me and looked at some of my stuff. A little boy shopping at the store watched us, and when Joe was done with me, the little boy asked for MY autograph. I couldn’t believe it. I mean, I gave him an autograph, but I couldn’t believe anyone would ask me such a thing. Raoul, bless him, wasn’t the least bit surprised. He was just that kind of guy.

When FantaCo would have its conventions at The Egg in Albany’s Empire State Plaza, Raoul would let me come behind the artist’s table in the last hours of Sunday’s activities and sit with the pros and draw and sign things for fans. These are among my most precious memories of my student days. They made me feel as if the things I imagined for myself were actually possible. It was Raoul who gave me that experience, which I’ll always treasure. After the FantaCon, he’d invite me to have dinner out with him and the other guest artists as if I were one of them. Sometimes, in the summer, when I went in to the store to get my weekly stash, Raoul would come out to lunch with me at a little cafe next to the store. There we’d be, two artists, two friends, two members of the comic-book community, having a bite and enjoying each other’s company. That meant the world to me.

Raoul and I would have our respective Moms come to the FantaCon as well. Raoul’s mother was a gentle, soft-spoken, old-world-type lady. I thought she was adorable. Raoul liked my Mom too. One day after the Con, Raoul remarked to me, “We’re just a couple of mother lovers.” It was such a “Raoul” thing to say.

When I went into the store one afternoon to get my comics and found Raoul’s obituary posted on the bulletin board, I thought it was a joke. He was 35 years old; how could he have died? It was just unreal. It still seemed unreal–surreal, even–when I went to the funeral in Troy. At the burial, I met and spoke to his sister, and it finally hit me that he was actually gone; that I would never see or speak to him again, that we would never again do any of the things we did together. I collapsed in tears, openly weeping in my friend Walter’s arms. We all went out to brunch afterwards, and I began to let go of everything but the memories. Those, I’ll always keep.

I don’t know if it’s possible for me or anyone else, really, to do justice to the memory of someone like Raoul Vezina. He was just too special. But Raoul’s friendship was one that occupied an extra special place in my young life. I think he set a good example of how to be in the world, and how to treat people. There were so many things he could have done and so many things he could have accomplished, had his life not been cut so short. But the friendships he made, including mine, are, I think, an achievement in themselves.

J.A. (Joe) Fludd, a native of Albany, was a contributing writer to The FantaCo Chronicles series. He was also a contributing artist to Gay Comics, for which he drew the super-hero feature Sentinel (later Pride). He was a regularly featured writer at the Fantastic Four Website, FF Plaza (, whose articles have been archived there for perusal. Joe spent six weeks at Paramount Pictures serving a Screenwriting Internship with the TV series Star Trek Voyager after submitting an unproduced script for The Outer Limits as a writing sample. J.A. Fludd’s art is showcased at The Quantum Male Art Blog ( and on Comicspace (, which house many of the works he has done for auction on eBay and for private commission. J.A. Fludd also donates original art to the annual Wonder Woman Day charity auction event ( ROG

His Name is Raoul

This is Part 3. Part 1 is here and Part 2 is here.

Monday morning, November 14, 1983, Tom Skulan calls me at FantaCo and asks me whether Dee had called me. I thought this was a peculiar question. Dee, who was Raoul’s ex-girlfriend but still friend, had never called me to that point. Tom told me Raoul had died the day before, and I said, “Okay” and went back to work. About 10 minutes later I decided I should call my ex-girlfriend Susan and tell her. After letting her know, I realized, “Oh my God, Raoul died,” and I never mentioned it again that day. You would think that would be difficult, given the fact that I was going to be working the front of the store that day, but Raoul was working a Tuesday to Saturday schedule, and most people would not have expected him on Monday. They didn’t ask; I didn’t bring it up.

The next day we were faced with how to let people know that Raoul was deceased. While he was actually on vacation, most people would figure he was scheduled to work. Fortunately, his obituary had appeared in that morning’s newspaper. So as I sat at the front counter and people invariably asked me where Raoul was, I could point to the obit which I had taped to a piece of black construction paper and had hung on the wall opposite the counter.

Invariably, the first thing that came out of almost every person’s mouth was “You’re kidding!” Naturally, they didn’t mean that literally, but I heard that phrase a whole lot that day. It was so much easier just to point than to have to say the words again. But I attempted to comfort the customers who needed to process this awful news. Later that day, Raoul’s mother Betty and Raoul’s sister Maria came into the store along with Maria’s boyfriend. Maria hugged me for about four minutes, which felt like a LONG time. She and her mother asked Tom and me to be pallbearers at the funeral.

Raoul’s Nostromo Cap poster, recently discovered by Bill Anderson
Thursday evening was the wake. Fantaco employees Broome Spiro, Bill Anderson, and a number of others went over to the funeral home in Troy. Open casket. Damn. Eventually I made a quick pass at the lifeless body, but mostly talked to people as far away as I could from that part of the room.

Friday, the store was closed, of course, as we attended the funeral. The priest gave a homily that, while pleasant enough, didn’t seem to have anything to do with the Raoul we knew. He talked about Raoul drawing pictures of Christ and other fiction. But worse, he kept getting his name wrong. He repeatedly referred to him as Ralph. Ralph did this, Ralph did that. We all grimaced. Finally someone, and I didn’t even know then who it was, yelled, “HIS NAME IS RAOUL!” The priest continued, but at least he got the name right. After the ceremony, I went with a number of people from the band Blotto to a restaurant in Troy and we swapped tales about our friend Raoul.


Raoul Vezina, Part 1

Raoul Vezina was born in January 1948, I believe, in Troy, NY. As far as I can tell, he was always been a very generous and very talented soul.

Here’s a picture that he drew back when he was in high school, which he gave to his friend, Jim Strickland dated 12/13/65.

He was also a musician, playing keyboards and harmonica; these are photos of RV from 69/70 around Lemoyne College, also provided by Jim.

Eventually, he found his way to New Paltz, NY, a small college town about halfway between Albany and New York City. Michael T. Gilbert recalled that he played some kind of “electronic piano gizmo with a band that gigged at St. Blaise bar/restaurant” in town.

Michael and Raoul often collaborated on stories. Here are a couple of nice pieces that appeared in 1973 in the first issue of Michael’s New Paltz Comix underground.

Michael noted that he and Raoul “either met at the local drugstore (fighting over the latest comics!) or at the school newspaper office, where we both contributed cartoons. We hit it off and decided to collaborate on a page for the first issue of New Paltz Comix, which was originally to be published by the school paper. When they dropped the ball, I took over and printed it myself. I later published three more issues, and Raoul and I collaborated on a neat sci-fi story, “Rubber Soul”, for the second issue. Raoul’s work appeared in all four issues, and he was my favorite contributor to those comics.”

I first met Raoul in 1973 or 1974. When I first started collecting comics a couple of years earlier, my friend Mark and I used to have to hop into his car and drive five miles to a newsstand trying to find a copy of our letter four-color fix that wasn’t totally wrinkled from being jammed into the spinner rack. Then a guy named Peter Maresca opened a comic book store right in downtown New Paltz called the Crystal Cave. Oddly, Peter wasn’t all that interested in comic books. He was much more interested in comic strips and would diligently clip strips from the Sunday paper and put in protective coverings. This is, by the way, the same Peter Maresca who’s involved in publishing Little Nemo in Slumberland and other comic strip books.

So it fell to the guy running the front of the store, Raoul Vezina, to create an atmosphere of welcoming and information about the comic book scene. And he did. As a customer, I always felt welcomed and understood at the Crystal Cave, and that was largely Raoul’s doing.

And when I left New Paltz for the Capital District, I would find myself again in the Raoul’s orbit.


FantaCo Chronicles: Webslinger, si; Freak Brothers, No

FantaCo was the comic book store/publisher/mail order center/convention house where I worked from May 1980 to November 1988. It opened August 28, 1978, 30 years ago today. And it closed on August 28, 1998, 10 years ago today.

The Chronicles were comic-book-sized magazines about various comic book characters. I’ve previously talked about the X-Men Chronicles, how much I liked working with Raoul Vezina, but hated having to retrieve the wet cover from Dave Cockrum. I’ve noted how Jim Shooter screamed at us for using the Jack Kirby interview in the Fantastic Four Chronicles. I’ve mentioned how Marvel appropriated parts of the Daredevil Chronicles for its Daredevil Omnibus; I tend to agree with the criticism that it leaned too heavily on Frank Miller’s period, ignoring Wally Wood and other DD history.

Next up, the Avenger Chronicles, edited by Mitch Cohn. I always thought the George Perez cover was a bit lackluster, but it was a decent enough book. It features a lengthy essay by me about the Avengers/Defenders War, detailed nearly as much as one would have described the Peloponnesian War.

Which brings us to the Spider-Man Chronicles. This is my favorite book in the series. I loved the varied layout that I instituted, which I though gave it a clean, modern look. I felt that I had finally developed a good line of contributors I could count on, and I felt for the first time that I really knew what I was doing. My favorite feature might have been humor cartoonist Fred Hembeck interviewing Spidey scribe Roger Stern, complete with illos.

The mag was almost hassle free. Well, except for two little things. One, of course, was the cover; it’s always the cover. I had, or more likely Mitch had contacted Frank Miller about drawing it, as he had done for the Daredevil Chronicles, and he had agreed, but at the last moment, he had to beg off, leaving me very much in the lurch.

I couldn’t use the back cover done by Joe Staton, because it wouldn’t have worked design-wise. Let me mention here Joe was possibly the sweetest man I’ve known in the comic book industry and who I would see from time to time in the store.

So, what to do, what to do. Pretty much in desperation, I called John Byrne, who had done the Fantastic Four cover. He whipped it out so quickly that it did not negatively affect the production schedule we had set with the printer. Say what you will about John Byrne, who apparently has been known to say some controversial things, but he saved my bacon — twice. I will never say anything bad about John Byrne.

The other problem was a drawing that Raoul Vezina had done of Spider-Man upon which he had put on the lyrics of the Spider-Man cartoon show. Rather like this:

We had contacted the copyright holder, seeking their permission to use those lyrics, and waited. And waited. And waited. We were even willing to pay them a reasonable amount of money for the rights. But ultimately, their response at the 11th hour was that we couldn’t use the lyrics at all. Ultimately, Raoul changed the words so it merely said “Spider-Man, Spider-Man, Friendly Neighborhood Spider-Man,” which we believed to be a copyright fair-use solution.

After having dealt with Marvel, sometimes with some great difficulty, FantaCo decided to go in a different direction with the series. We put out the Chronicles Annual, an overly broad history of what else was being published at the time, which Mitch and I edited. Then we decided to look to the “independent publishers” and put out Chronicles based on their characters. The first one we were going to do was the Fabulous Furry Freak Brothers Chronicles, which Mitch was going to edit. It was announced in our monthly newsletter, Fantaco Nooz, and Mitch reminded me that we even had a Gilbert Shelton cover, which looked a lot like this, obviously later used instead for a Freak Brothers anthology: But for reasons that now escape me, that book never saw the light of day. After that, I was supposed to edit the Kitchen Sink Chronicles, and there was even passing conversation about getting a Will Eisner cover. That too never got off the ground.

Well, *I* forgot the reason those magazines didn’t come out. Fortunately, an THE authority on FantaCo publications remembered. That would be Tom Skulan, founder/owner/big kahuna of FantaCo, who I’ve been in touch with for only a couple weeks after a nine- or ten-year hiatus. He noted that the Freak Brothers was never done because FantaCo did not receive enough material for a full issue; I guess some potential contributors were, like, too laid back. The Kitchen Sink Chronicles was never done because the initial feedback FantaCo got about it indicated that, unfortunately, it would be a very small print run, which broke my heart. Thus, as a magazine series, the Chronicles came to a bittersweet end, though one much later FantaCo BOOK was always thought of as a continuation of the series.


Art jam

There is a gentleman named Jeff Kapalka, who sent his newspaper review of Fred Hembeck’s new book to Fred recently. With Jeff’s permission, Fred forwarded it to me.

Jeff also attached this item, forwarded by Fred:

Jeff describes it to Fred: “I’m also sending along a scan of a piece you participated in about two decades or so ago. Remember when we’d meet up at conventions, and I’d be toting my big-ass piece of poster board around, getting all and sundry to contribute to a mammoth character jam? Well, it finally got filled up in the mid 1980s, Karl Kesel got roped into inking any penciled characters, and I’ve kept it ever since.

“In the bit I was able to cram into my scanner, we’ve got Cartoon Fred interviewing an Al Milgrom Firestorm (who for some reason is wearing a Clyde Caldwell clown puppet on his hand). Meanwhile, CF is being crept up upon by a Steve Bissette Swamp Thing (“Let’s see if you can grow YOUR arm back.”) with Vince Giarrano’s Haywire lurking in the background. Just out of shot, a Paul Smith Storm is forming a little storm cloud over Firestorm. He doesn’t notice, as he’s busy trying to pal around with a rather disinterested Jughead, a la Stan Goldberg. That’s Brent Anderson’s Shanna in front of a Ron Frenz Spidey, and you can just about see E-Man’s outstretched hand, courtesy of Joe Staton. Can’t remember for the life of me which character from Arion, Lord of Atlantis Jan Duursema sketched, but there’s no mistaking Raoul Vezina’s Smilin’ Ed.”

“Ahh…those were the days.”

Yes, they were. It’s interesting that three people who did work for FantaCo appear in this panel:
Steve Bissette, who was in Alien Encounters, Gore Shriek, Deep Red and other horror projects.
Fred Hembeck, who, in addition to his eponymous series, also contributed to Smilin’ Ed, the Chronicles series, Gates of Eden and Alien Encounters.
And of course, the late Raoul Vezina, who, in addition to Smilin’ Ed, worked on the Chronicles and had stuff in the first four FantaCon programs.

Jeff notes to me: “I loved Smilin’ Ed. (The issue where he heads off to Hollywood, obsessed with cinematic cheese, spoke volumes to me. Even today, when I think of the poster for Angry Red Rabbit, or poor Ray Merrymausen working on his stop-motion project, I smile.)

“We probably have already met, of course. My cohorts and I made many a trip to FantaCo back in the 1980s, and we were always treated right. The feeling there was like the Cheers bar, but with comics. It was there I first found out about the redoubtable Mr. V and his critter creations. Sadly, I have no real memory of any conversations with either him or you, but I do have the sense of having talked comics with fellow fans.

“FantaCo also introduced me to the awe and mystery that is Blotto, but that’s going off on a tangent.” Not really. The FantaCo folks were big Blotto fans, too. I was singing ‘Metalhead’ in the shower just yesterday.

“The piece also features a Dave Sim Cerebus, Wendy Pini’s Skywise, Iron Man by Bob Layton, John Byrne’s Rog-2000, Mike Grell’s Warlord, Walt Simonson’s Manhunter flanked by George Perez’ Starfire and Mary Wilshire’s Firestar, a Totleben Demon squaring off against a Simons Ghost Rider, and an Incredible Vampire Balloon. (The last is a critter from my Cranberry: Certified Public Avenger series. Never heard of it? You’re not alone…) And there’s still more!”

Jeff indicated that if he gets a chance to scan some more, I might be able to share more with you fine folks. Thanks, Jeff.


Remembering Raoul Vezina

As I’ve mentioned here before, maybe once or twice, I used to work at a comic book store/publisher called FantaCo Enterprises in Albany, NY from 1980 to 1988.
Raoul Vezina was an artist who worked for and was published by FantaCo, in the latter case, particularly in a series called Smilin’ Ed.
Raoul died 25 years ago in November, and I am looking for all things Vezina so I can write about him: primarily recollections, but also samples of his artwork.

Thank you.