Category Archives: Superman

This Is NOT Sadie Hawkins Day

Sadie Hawkins Day is in November. Somehow, the 20th century Dogpatch invention of Al Capp’s Li’l Abner has gotten blended with a much earlier tradition. It is, however, Superman’s birthday. (Which begs the question, “What do you get for someone who can change the course of mighty rivers?”
From Len Wein’s blog: George Lucas in Love

My favorite Amazon pitch of late:
Dear Customer,
We’ve noticed that customers who have purchased or rated Stanley Kubrick’s Clockwork Orange (1971 Film) have also purchased Semi-Pro. For this reason, you might like to know that Semi-Pro is now available. You can order yours for just $13.99 by following the link below.
Product Description
Will Ferrell stars in this outrageous comedy, set in 1976, as Jackie Moon, a one-hit wonder who used the profits from his chart-topping song “Love Me Sexy” to achieve his dream of owning a basketball team, which becomes the worst in the ABA league (NBA rival) and in danger of folding. If they want to survive, they have to do the seemingly impossible – win. Co-stars Woody Harrelson, Andre Benjamin (Outkast), and Will Arnett. The soundtrack features classic funk hits from the 70s from Sly & The Family Stone, Ohio Players, War, Curtis Mayfield, and more, as well as Will Ferrell performing his funkadelic version of “Love Me Sexy”.
1. Love Me Sexy – Jackie Moon (Will Ferrell)
2. Get The Funk Out Ma’ Face – (Brothers Johnson)
3. Lady Marmalade – (LaBelle)
4. The World Is A Ghetto – (War)
5. Tell Me Something Good – (Ronnie Laws)
6. Mr. Big Stuff – (Jean Knight)
7. Give Me Just A Little More Time – (Chairman Of The Board)
8. Why Can’t We Be Friends – (War)
9. Walking In Rhythm – (The Blackbyrds)
10. Dance To The Music – (Sly & the Family Stone)
11. Love Rollercoaster – (Ohio Players)
12. Que Sera, Sera (Whatever Will Be, Will Be) – (Sly & the Family Stone)
13. Move On Up – (Curtis Mayfield)
14. Shining Star – (Elijah Kelley)
So because I bought the Moog-driven soundtrack of a 1971 movie , I would also be interested in a 2008 movie set in the 1970s with a funk soundtrack?! (Truth is that would be if I didn’t already own tracks 3, 4, 6-8, 10, 11, 13 and possibly 9, plus other versions of 5, 12, and 14, I MIGHT be.)
From Coverville: Hey Jude by the cars

Assuming you have $125 to spend ($75 for students):

You are invited to Splat! A Graphic Novel Symposium
Saturday, March 15, 2008
We welcome new readers, writers, artists, publishers, agents, and long-standing comics fans alike to learn more about the fastest growing movement in publishing – and meet some of the best creators working in the medium today!
The SPLAT! Symposium will also supply prospective creators with a unique opportunity to learn what it takes to be a graphic novelist. There will be three different tracks of panels, seminars, and workshops, followed by the SPLAT! Reception with Scott McCloud.
The panels will be led by a number of key writers, editors and artists from the graphic novel world including: Jim Killen, buyer Barnes & Noble; David Saylor, Editor Scholastic; Raina Telgemeier, artist, The Baby-Sitters Club; Ted Rall, creator, Attitude: The New Subversive Political Cartoonists; CB Cebulski, writer/editor, Marvel Comics; Bob Mecoy, Founder, Bob Mecoy Literary Agency; R. Sikoryak, creator, The Seduction of Mike; Brian Wood, creator, Demo, DMZ and Local; Nick Bertozzi, creator, The Salon; and Charles Brownstein, executive director, Comic Book Legal Defense Fund.
Please visit to register for this unique event.


Who You Callin' A…. QUESTION

Ebony magazine has a July 2007 cover story, stories, actually, in which it proclaims that it “engages Black America in an honest examination of race, language and the culture of disrespect.” It’s interesting, because in the time I’ve been reading Ebony, and it’s been, off and on, since I was a kid, this is the first time in a very long time that the magazine has provided multiple stories on one topic. Throughout, there was a timeline of race and language, then a series of articles. Worth reading, at least in the library.

The one piece that intrigued me the most is the one that suggests that there are thinks a member of the tribe can say that an outsider (say, a white male like Don Imus talking about black women) cannot. There’s a guy of Polish descent who I’ve played racquetball with, and he has occasionally provided himself with an ethnic slur that I would never say myself. This is an obvious notion that reminds me of a story from my childhood:
My sister Leslie was teasing our sister Marcia on the school playground; it wasn’t very nice. But when one of Leslie’s male friends started teasing Marcia with the same words, Leslie slugged him.

So my question is this: What do you say in your tribe or tribes, however you define it (ethnicity, gender, ethnicity, sexual orientation, fraternity, sorority, family) that is verboten when it comes from the outside? I’m really curious about this, because, except for very good friends, who I can tell when they’ve done an air-headed thing, I’ve never been all that comfortable with that kind of talk.
A couple things other people I read have discovered that interested me greatly.
1. From the U.K.’s Chris Black wonders whether attacks on Barack Obama as not black enough from some black groups might not make him even more attractive to some white voters. For a pol from across the pond, I think Mr. Black is pretty astute about American politics. “Not black enough” always reminds me of a Joan Armatrading lyric (from the title cut of an A&M EP, “How Cruel”)
“I had somebody say once my black was way too black,
And someone answer she’s not black enough for me.”
(I guess I’m not the only one who came to that conclusion. There’s a slow-loading Blogspot blog, Seattle for Barack Obama, that used that very quote.) I’m not sold on Senator Obama, but these kinds of attacks make him more sympathetic, I think.
2. The guy in the overalls found this citation to a 1970 DC Comics survey, conducted by a groovy Flash and a Superman we can dig, asking their readers to rap about what they’re interested in reading about. (Rap meant something different in 1970.) Right there between “pollution” and “space flights” is “black people”. I think that in 1970, I probably would have been offended, but now, it’s just hysterical.