I’ve sung the Mozart Requiem in D minor at least thrice, once in 1985, once or twice in the 1990’s, and once on September 11, 2002. I LOVE this piece of music. Continue reading Fridays in Lent: Mozart Requiem
The Requiem Mass in D minor (K. 626) by Wolfgang Amadeus Mozart is almost certainly the best known requiem, since its creation (and non-completion) was presented in the 1984 movie Amadeus. Here’s a segment in which Salieri helps Mozart write his Confutatis. Parts of the Requiem show up in some three dozen TV shows and movies, such as The Big Lebowski and Watchmen.
This late 19th century piece, by composer Gabriel Fauré (1845-1924), is probably my second favorite requiem. My current choir has performed it at least twice, in 2005 and 2009. It runs about 35 minutes, and consists of seven movements; the linked audios are from sundry sources.
From the Wikipedia: “The Requiem, op. 9, by Maurice Duruflé was commissioned in 1947 by the French music publisher Durand and is written in memory of the composer’s father… It exists in three orchestrations: one for organ alone, one for organ with string orchestra and optional trumpets, harp and timpani, and one for organ and full orchestra. At the time of commission, Duruflé was working on an organ suite using themes from Gregorian chants. He incorporated his sketches for that work into the Requiem, which uses numerous themes from the Gregorian ‘Mass for the Dead.’ Nearly all the thematic material in the work comes from chant.
I found the complete work performed by Atlanta Symphony Orchestra and Chorus
Conducted by Robert Shaw. Music links to all parts, the first two together, with the Kyrie starting at about 3:59.
Introit (Requiem Aeternam)
Kyrie eleison “The plainchant influence is clearly evident, particularly in the bass lead to this section.”
Offertory (Domine Jesu Christe)
Sanctus – Benedictus
Communion (Lux aeterna)
My current church choir performed this requiem at some point, but it didn’t entrance me as other requiems have. Still, I must note it, in part, because when our church choir director and the director of Albany Pro Musica put together their lists of possible pieces of music for the funeral of Albert Wood on March 2 (which would have been Albert’s 58th birthday), both directors came up with the Kyrie from this piece. My church choir and APM performed it together that morning, and i discovered a new fondness, at least for that section.
The Requiem by British composer John Rutter (b. 1945) was completed and first performed in 1985. An orchestra, including a harp, accompanies the choir. My church choir at the time performed this perhaps a decade after its premiere, so it was still a rather new piece.
1. Requiem aeternam. Includes the Introit from the Tridentine Requiem Mass and the Kyrie. It starts off so slowly that you may not realize it has begun. But it moves from minor key to major, making it hopeful.
2. Out of the deep. Based on Psalm 130 Continue reading Requiem of the Week: John Rutter
Nothing gets me in the Lenten mood like a bunch of Requiems (Requia?). I have sung several of them over the years. One I haven’t sung is Brahms’ A German Requiem, though I do have a recording of it. However, I have sung the 4th movement, in English, and it is known as How Lovely is thy dwelling place.
From the Wikipedia: A German Requiem, To Words of the Holy Scriptures, Op. 45 Continue reading Requiem of the Week – Brahms German