Tag Archives: Supremes

Mary Wilson of the Supremes is 70

Also used for Round 15 of ABC Wednesday, S is for Supremes.

Flo, Mary, Diana
Flo, Mary, Diana
They were the Primettes, a sister group the pre-Temptations Primes. Shortly after they became the Supremes in 1961, Barbara Martin left the quartet, and they became a trio: Mary Wilson, Florence Ballard and Diana Ross. The nickname around Motown, unfortunately, was the “No-Hit Supremes” in 1962 and 1963 with A Breath Taking Guy their biggest hit (#75 in 1963). Their fate seemed to be backup singers. (LISTEN to Can I Get A Witness by Marvin Gaye from 1963.)

Suddenly Continue reading Mary Wilson of the Supremes is 70

Melancholy Quintet of Songs

On Valentine’s Day, people are always playing these lovey-dovey songs. It being roughly six months from that holiday, I thought I would link to some of those songs I used to play when I broke up with someone. Haven’t done that in well over a decade, fortunately, yet the songs themselves still make me melancholy. It’s strange how music still holds its sway.

The Supremes – Remove This Doubt. You may know this from the Elvis Costello cover, but the original is from one of my favorite Motown albums of the 1960s, The Supremes Sing Holland-Dozier-Holland. Continue reading Melancholy Quintet of Songs

S is for Songs from the classics


When I was 11 or 12, I took piano lessons for a little over a year. I wasn’t very good, though I did practice. I will say that it was useful for singing. My piano teacher was Mrs. Hamlin, the organist at my church at the time, who was like family; her parents were my godparents, and her sister’s son was my parents’ godson.

One day, I was laboriously trying to play the Bach Minuet in C, which, incidentally, I had danced to in second grade. Mrs. Hamlin said, “It’s like A Lover’s Concerto by the Toys.” At that very moment, I had no idea what she was talking about, though, of course, now I do.

Actually, I first owned A Lover’s Concerto as a cover version by the Supremes on their I Hear A Symphony album, which also contained their version of Stranger in Paradise from the 1953 musical Kismet, which poached Alexander Borodin’s Polovtsian Dances from Prince Igor.

As it turns out Continue reading S is for Songs from the classics