They were the Primettes, a sister group the pre-Temptations Primes. Shortly after they became the Supremes in 1961, Barbara Martin left the quartet, and they became a trio: Mary Wilson, Florence Ballard and Diana Ross. The nickname around Motown, unfortunately, was the “No-Hit Supremes” in 1962 and 1963 with A Breath Taking Guy their biggest hit (#75 in 1963). Their fate seemed to be backup singers. (LISTEN to Can I Get A Witness by Marvin Gaye from 1963.)
On Valentine’s Day, people are always playing these lovey-dovey songs. It being roughly six months from that holiday, I thought I would link to some of those songs I used to play when I broke up with someone. Haven’t done that in well over a decade, fortunately, yet the songs themselves still make me melancholy. It’s strange how music still holds its sway.
When I was 11 or 12, I took piano lessons for a little over a year. I wasn’t very good, though I did practice. I will say that it was useful for singing. My piano teacher was Mrs. Hamlin, the organist at my church at the time, who was like family; her parents were my godparents, and her sister’s son was my parents’ godson.
One day, I was laboriously trying to play the Bach Minuet in C, which, incidentally, I had danced to in second grade. Mrs. Hamlin said, “It’s like A Lover’s Concerto by the Toys.” At that very moment, I had no idea what she was talking about, though, of course, now I do.